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The second installment of Seven-Color Mask: King Rose.

A talented young woman from a rural village travels to the "Big City" of Johannesburg, South Africa to become a Star. She lands a role in a musical play about Zulu Queen Mkabayi, Shaka's Aunt and searches for her identity as a Performer, a Zulu, a Woman and a Daughter. Will she be able to keep up with her more seasoned fellow performers, avoid the jealous machinations of the aging leading lady and survive the punishing rehearsal schedule to make it to opening night and shine like the star she is? "She is King" is a joyous celebration of Zulu culture in a glossy contemporary setting, showing off Joburg as the "Broadway of Africa".

This is a pre-banjun drama before going into the real episodes (Tokyo Holiday, Dangerous Love, Finding Lost Time, The Uninvited Guest, Unforgettable Love, First Love, The Masked Fencer)

The Story of Ah King could be summarised in four words, "meeting the wrong guy", but Joyce has created a most poignant episode, one that has dialogue peppered with lively slang. Ah King (Louise Lee), who tries hard to break off from her jammed public housing life, gets married, only ending up in another abusive relationship. Given her circumstances, Ah King really doesn't have much choices. Both episodes feature superb scripts and stunning performances.

Gamblers try to pressure a star hockey player into throwing a game.

A companion piece to Pelourinho: They Don’t Really Care About Us (NYFF57), King of Sanwi continues Akosua Adoma Owusu’s exploration of Michael Jackson as a global pop icon. Here, Michael’s long affinity with the African continent—from the Jackson 5’s arrival in Senegal in 1974 to Michael’s coronation as an Ivorian king in 1992—is captured in vibrant, fuzzy archival video, made visceral by Owusu’s funky audiovisual collage and richly material direct animation effects.

Adventure film based on the life of the legendary bandit Manuel García, the king of the Cuban fields, who in the last decades of the 19th century had the sympathy of the people because it was said that he stole goods from the rich to distribute them among the poor.

Célébrez 50 années de blues avec le Roi du Blues qui interprète ses meilleures succès, dont une poignée avec son invité spécial Jeff Beck à l'occasion de son 78ème anniversaire. Let the good times roll - Sweet little angel - Bad case of love - Night life - Neighborhood affair - Exactly like you - Guess who - The thrill is gone - Rock me baby (with Jeff Beck) - Key to the highway (with Jeff Beck) - When love comes to town - Caldonia - I'll survive - Meeting the pope - Paying the cost to be the boss

King Koopa's Kool Kartoons was a local, American live-action children's television show broadcast in Southern California during the holiday season of 1989-'90. Produced by DIC Entertainment and in association with Nintendo, the show starred King Koopa, the central arch-villain from the Mario video game series. The 30-minute program was originally broadcast during late afternoon time slots on Los Angeles-based KTTV Fox 11. It was a spin-off to The Super Mario Bros. Super Show!

King Cole's Birthday Party was an early American children's television series which aired on the DuMont Television Network. The program was broadcast from 1947 to 1949. Little is known about the series. Each 30-minute episode featured the real birthday of a child. The series was sponsored by the Jay Day Dress Company of New York. The program was first broadcast locally over DuMont's WABD in New York City. By early 1948, King Cole's Birthday Party was aired nationally on DuMont's chain of stations. The final broadcast was on June 23, 1949. Among the people to have hosted the program included Bill Slater and Ted Brown.

Artist Rolf Schulz's pursuit to make his dreams come true through his endless toil to complete the majestic Mundo King Castle on a hill in the Dominican Republic

Using declassified FBI information, this documentary investigates the extent to which British King Edward VIII sympathized with the Nazis.

Live in Japan - Tokyo, Kouseinenkin Kaikan, April 16, 2003 Introductory Soundscape The Power to Believe I (A Cappella) Level Five ProzaKc Blues The ConstruKction of Light Happy with What You Have to be Happy with Electrik One Time Facts of Life The Power to Believe II (Power Circle) Dangerous Curves Larks' Tongues in Aspic: Part IV -- The Deception of Thursh The World's My Oyster Soup Kitchen Floor Wax Museum

Chronological look at the life and career of Johnny Carson (1925-2005), with commentary from an ex-wife and more than 30 fellow comedians, friends, employees, and biographers. The biography defines why Carson was an enduring star (his cool, his timing, his genuine laugh, his breadth of knowledge) and pursues his motivations and inner self (a loner with a drinking problem, a decent Midwesterner whose mother withheld approval, a quiet person who loved to entertain). The key to understanding him, argues the biography, is his love of magic.