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It seems as though there's no other way: Because neither his parents nor Baby Jesus will fulfil his fervent wish and give him a bike, Antonio hatches a totally unorthodox plan…
Based on the eponymous novel by Esat Mahmut Karakur.
Robinet wants to try out to be a jockey, but has to go through a lot of exercise to reach the weight needed.
Claudia dies just before she was about to receive her wedding ring. She decides to come back to Earth with the help of an angel.
A crow decides, for once, to treat itself the king's meal.
Colourful jungle, dancing dwarves and a pirate girl Vanessa. It is a story of a regular lovely girl, and it makes no difference that she is blind! An optimistic and inspiring animation about learning and accepting our natural differences, voiced by Vanessa herself.
It is the year 2020, it is Joi’s last few months in Cebu. Her father, an engineer working on quarantine centers in Leyte, converses with her throughout the months.
Germany’s first television channel proudly presents its “docudrama”: “Eichmann’s End – love, betrayal and death”. It shows the Nazi war criminal’s last years in Argentina and the “heroic search” of the Mossad, the Israeli intelligence agency and a tragic love story: Romeo and Juliet of the twentieth century, a Nazi Romeo and a Jewish Juliet. Klaus is Adolf Eichmann’s son and Silvia, the daughter of Lothar Hermann, a survivor of the Shoah. The docudrama is based on material from the Mossad and is given many laurels around the whole world. And suddenly, Liliana Hermann, grandniece of Lothar Hermann, is protesting: “Your praised docudrama is lousy disinformation”. In her new documentary, Gaby Weber investigated about the early days of Zionism in Germany, Eichmann´s role and about his citizenship. Her conclusion: At the time of his arrest, he had the Israeli citizenship and there was no “heroic kidnapping” by the Mossad, but a legal expulsion by Argentinean officials in May 1960.
The film with hooligan humor and serious sarcasm offers viewers to reflect on eternal, timeless values.
Ganaa and Solongo have been married for 10 years but they still don’t have a child. It seems like their life is not complete without a child. One day Ganaa leaves the town for a business trip. While he is gone, Solongo goes to fortune teller with her friend Odko. Fortune teller told Solongo that her last chance of having a baby is before she reaches 33 years old, which is in 4 days. Now Solongo has to choose between going after her husband or follow the advice of Odko, finding an another guy to have a baby.
A realistic depiction of the bloody land reform campaign in North Vietnam under Communist-dominated Vietminh.
A short film screened at Il Cinema Ritrovato 2020.
Experimental film, Polke plays Polke, Christof Kohlhöfer is behind the camera. Together, the artists present abstruse scenarios and breathe a secret life into everyday things with anarchic humour and subversive magic.
Christine is a university guidance counsellor trapped in a loveless marriage. Leo, her husband, a cruel and vicious politician refuses to set Christine free as he needs her when he runs for public office and hires Orlando, a private detective to get solid evidence against Christine's infidelity.
A short film that showcases what LGBTQ+ migrants residing in Tijuana want to say to the world, as well as the human connection and healing process that can be found through dancing.
Fish store owner May is thirty and single, so when Chris, a millionaire, appears, May's family is only too eager to send her off. May is crushed when she finds out Chris's only reason for loving her was her resemblance to his ex-girlfriend Linda.
After her father unexpectedly loses his job, 16 year-old Jessica feels the need to do something - something drastic. Her whole life begins to rearrange itself. The "good life" doesn't seem to matter anymore.
Can popular songs be appropriated to convey the experience of a gay-bashing in Moncton? Or the need for acceptance? In an ongoing series of autobiographical performance videos named Overmelodramas, the artist explores our relationship to violence and culture, and questions our polarized tastes for melodrama and documentary.
