Complet I Want You Back Vf

Ko Bok-Chil is good and kind, but stubborn. When he repeats to fail in the business, he considers to kill himself. But, he makes up his mind to make a comeback and challenge the world. He experiences human life by selling books in monthly installment. He usually does a lot of good things, but their results are not good. When he has to take care of a young orphan named Young-Hee, he starts to work hard again. He loves a beautiful girl, who is a daughter of millionaire. He contributes to her father's company using an outstanding PR skill, so that he is accepted to get married to her. But, he realizes that he is not eligible as a director of big company, and leaves Seoul alone.

Gil-nyeo runs an inn with her young daughter Myeong-ah in a fishing village. However, her local wives agree to banish her, but she fails to convince her that it is her maiden's fault that her husbands spend her years on her drinking and gambling. One day, Jun-gi, a young man from the village, and Choi In-gyu, the owner of a salt farm, make a scheming offer to Gil-nyeo, who is collecting money like a scoundrel, to pay a large sum of money for her cockle farm. However, when it is approved as a common farm, Joon-gi frames her maiden and sends her to prison. One day, her long-daughter, who came out of her sentence, donates her belongings to the villagers who are frustrated by the failure of her cockle farming, and Joon-gi falls in love with her.

A young woman's emotionally distressing childhood, fuels her depression, affecting all areas of her life and she must decide to seek help before it's too late.

Aslan divorces his wife Mah Monir and marries Farangis. Barbod, Aslan's 11-year-old boy from Mah Monir, is very lonely. One day, Farangis calls Aslan with a scream. Aslan encounters the bloody body of his son at bathroom.

The stations of a breakdown: the seaside, a winter landscape somewhere far up in the north, a hospital room. Kühn’s diary film is constructed from a series of snapshots and stolen moments of intimacy between a man and a woman, a relationship threatened by the hardships of mental illness, the fragility of love, and the desire to leave and the desire to stay. Is it the end or only the beginning? Delicately weaving in and out of different emotional registers, the camera itself becomes a kind of protective tool that simultaneously shields against the pain of living and opens up a space for self-reflection. (David Perrin)

A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.

During anti-Ayub movement in the 1960’s a young leftwing political activist had warrant against him. He would secretly move around by trains. Police detectives followed him. It was never clear in the poem whether the young man went to his village and met his mother and comrades, or whether he was just thinking about them and thus the past, present and future of the politics of that particular time of our history all converged in his subconscious.

A lonely girl walks around a future Tokyo chased by weird huge monsters. Even though she fights them, the monsters just keep growing in size and number so the girl has to make a decision.

The film tells the story of the emptiness of time and interpersonal relationships.

On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.

This film is about human rights violations that took place during the Corona epidemic in Iran: a small part of the thousands of villages in this country that do not have schools. Many students in disadvantaged educational areas have to travel long distances to reach certain areas to connect to the Internet due to the lack of Internet antennas in their villages. And despite the coronavirus, they are forced to sit together in online classes.

A desire to have a family becomes a nightmare. The man becomes more and more violent and crazy. The woman leaves the relationship, but has to live with the consequences of the breakup long after the separation. A film about physical, sexual, psychological and financial violence and how it affects an entire family.

I Want to Live (German: Ich will leben) is a 1976 Austrian drama film directed by Jörg A. Eggers. The film was selected as the Austrian entry for the Best Foreign Language Film at the 50th Academy Awards, but was not nominated.

Nilüfer goes to his aunt in Istanbul for his education without telling his father. He meets Ahmet, a young taxi driver in Istanbul. Nilüfer and Ahmet will fight to be together.

Nokke and Jørgensen are tram railgrinders and good friends. Jørgensen drinks too much, while Nokke in vain urges his friend to give up the bottle. When Jørgensen ends up in hospital, Nokke shows up to talk some sense into his sick friend. Regrettably, Nokke is not the sharpest knife in the drawer and as he searches for the patient, the staff is led to believe that he should be admitted himself. Will he ever get to see Jørgensen? (stumfilm.dk)

The late Ivan gets out of the grave and goes home. A black comedy showing that there is no peace in the other world.

Early 90s. The carefree youth of St. Petersburg of three friends, students from Abkhazia, abruptly ends with the news about the beginning of the war in their homeland. And now the guys are on the train, leaving behind their studies, their usual life, youth and everything that worried them yesterday.

This story focuses on an old taxi driver, who truly loves his job. Every day he meets lots of different people...