Complet I Wan

Go behind the scenes with the Stereophonics as they travel from Thailand to Australia to film promos for the tracks from their 'Performance and Cocktails' album. Tracks include 'Just Looking', 'Hurry Up and Wait' and 'Mama Told Me Not to Come'.

Volume 3 "Wanderin’ in the Desert" contains two 25-minute episodes. Episode 1: "Don't TRIM YOUR BEARD?" Don’t lie, don’t cheat … don’t trim your beard? The Old Testament is full of rules, and some of them are kind of, well, weird. Learn why God gave all these rules to Israel and which ones still apply to us today! Episode 2: "What is a Pentateuch?" Learn about Israel’s 40-year “time-out” as we finish the first five books of the Bible! Plus, discover why we can believe what the Bible says – even though we weren’t there to see it happen!

This is a film produced by and starring German comedienne Wanda Treumann, and co-written and co-directed by Rosa Porten. Rosa Porten made films in the 1910s together with her husband Franz Eckstein, using the pseudonym Dr. R. Portegg. According to contemporary press, they were known for their proficient direction. The film mixes comedy with romance and social drama. It focuses on the interrelations of gender and class and on a factory girls independent spirit, business competence, and sense of humour. The plot has a serious undertone, but both its comic twists and Treumanns guileless acting lend it a striking breeziness and a pro-lib edge.

Walter wants work (1922) (Directed by and starring Walter Forde this stands as a good introduction to the work of the UK's only major comedian. This farce finds Walter attempting and failing at multiple jobs with the inevitable suspicion from the local bobbies.

After five years as the best of the Chaplin imitators, Billy West struck out with his own comedy character, a middle-class man in a nice suit and a fedora -- but with the mustache. These movies involved him in cartoonish situations in which he executed some extended gags very nicely -- in this one he does the one in which the water pump only works when he's not ready for it and another in which he can't catch a fish with some expensive gear, while the boy next to him catches whoppers with a stick and a bent pin -- and gradually moved behind the camera.

A couple are making love beneath the window of a cranky old gentleman. There is a handsome window garden above them filled with plants and flowers. The old gentleman throws out a rope upon the lovers to annoy them. They, not knowing what it is, seize it and pull the window garden down upon themselves.

Finnish snowboard movie.

Unraveling the value of emotion in contemporary society, the work of Belgian-American artist Cécile B. Evans explores the person-to-machine exchanges that have come to define the contemporary human condition. Her video installation What the Heart Wants examines what constitutes a person in the digital age and how machines (technical, social, and political) shape how we are “human.” If “corporations are people too,” as in the notion of corporate personhood, then HYPER, an ambiguous power and the narrator of the video, has achieved this ultimate goal. Amidst the dizzying paradoxes of future-turned-now, she is joined by a range of other protagonists: an immortal cell, a memory from 1972 that has outlived the humans who would have remembered it, a disbanded trio of off-grid lovers, lab children with their robot caregiver, and a workers’ collective comprised entirely of disembodied ears.

During the spring of 2000, eleven girls aged 8 to 16 from a variety of socio-economic backgrounds and two classrooms of middle and high school students were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses provide the central theme of the film, a half-hour examination of how the media presents girls. Juxtaposing footage culled from a typical week of TV broadcasting with original interviews, WHAT A GIRL WANTS will provoke debate and, ideally, act as a catalyst for change in media content.

Satina asks her mom to read her a bedtime story

“My mother has been living with me and my teenaged daughter part time for the last year. When the pandemic hit we lost our personal support workers, and I found myself juggling caretaking, homeschooling and work. Because of Alzheimer’s, my mother’s mind is slowly departing, but her essence has not changed. Much of what she has been experiencing for years –profound disorientation, anxiety, mental fog–is what I was experiencing during isolation. With snippets of night time conversations and a stack of my drawings, I’ve created a sense of our world together — a world of overlapping thought, lapses, bent time, lost words, the absurd, and love.” – Heather Frise

Textile company owner Anita (Sally Marcelina) is trapped in an unhappy marriage with a philanderer who's bossed around by his controlling sibling. The sister-in-law attempts to murder her so her brother will inherit the factory.

Wandering Souls follows the mounting of a new stage production, Bangsokol: A Requiem for Cambodia, to honour the nearly 2 million Cambodians who died during the Khmer Rouge regime from 1975 to 1979. Commissioned by Cambodian Living Arts, the Requiem is a first-time collaboration between filmmaker Rithy Panh and composer Dr. Him Sophy. The film tracks the story of the Cambodian creators and musicians, as they work with an international team to bring the production to the world stage. Alongside the evolving stage production, the film tells the first-hand survival stories of the Cambodians involved in the Requiem, and their powerful will to reclaim an artistic heritage that disappeared during the four years of Pol Pot terror.

Kyle is a young American who lives in Argentina. One morning Hugh, a childhood friend who had disappeared eleven years earlier, knocks on his door. Hugh asks him to let him stay at his house for a few days, arguing that a group of people are looking for him. Soon enough, Kyle will regret agreeing to his friend's request.

A film by Kanisha Alur

Returning late to London, Johnny gives a lift to an attractive female hitch-hiker. Some distance on, he stops to make a phone call and buy a coffee, but on returning to his cab finds the woman gone. Assuming she has hitched another ride, he continues on his way. A short time later he is flagged down by another driver, who has come across a woman lying by the roadside. The woman is Johnny's hitchhiker and she's dead.

Under cover of darkness and with no word of his plans, much-beloved Tibetan Buddhist Meditation Master Yongey Mingyur Rinpoche walked away from his life on the international stage to live that of a wandering yogi. Unheard of among eminent teachers today, such a practice is rife with hardships. For Mingyur Rinpoche, these challenges—begging, finding food and shelter, illness, and all the attendant risks of wandering incognito from place to place with the barest of possessions—present fertile ground for deepening insight into the true nature of the mind. Wandering . . . But Not Lost is an intimate account of Mingyur Rinpoche's four-and-a-half-year retreat (June 2011 – November 2015) interspersed with Rinpoche’s own guidance in applying Buddhist wisdom to our daily modern lives that will touch—and inspire—audiences everywhere.