Complet I Wan

This documentary film visits the favelas of Rio de Janeiro which have had military interventions and are constant targets of police operations. The stories of the victims – mostly mothers whose children have been killed – are heard, using participatory practices. Also interviewed are community leaders from Mothers of Manguinhos, Redes da Maré, and Women in Action in Alemão. Expert commentary was provided by Fiocruz, the leading public health institute in Latin America, and the international human rights NGO Conectas.

wants candy real bad

The subject of an international man-hunt since 2013, Ghermay Ermias and his gang operate across a dozen countries in Africa and Europe.Now, with unprecedented access to the files of the team hunting.

A young lesbian, frustrated with a recent relationship, explores bisexuality and has an enlightening discovery.

With a dad incarcerated for murder, a mom on drugs and a childhood in foster care, Charell knew it was time to break the cycle.

While trying to meet the season's quota, Karl, the most experienced and senior of lumberjacks, abuses his power when he carelessly chops off his subordinate's face.

Little Dot Jarvis is tolerated, but not loved, by her ambitious parents, who send her to boarding school so they can move into a fashionable apartment building that does not allow children. At school, Dot is treated so cruelly that she runs away, but a kind farmer takes her to the police station and she is returned to her parents. When Dot's father becomes involved in a scheme to smuggle arms into Mexico, Dot's photograph prevents newspaper owner Robert Chase from exposing him. Repentant, Dot's parents finally give her the love she had so sorely missed.

An exploration of the expression one makes when the music is just that good. Meant to capture the intense emotion of the performers as they listen and dance to music while simultaneously addressing the universality of Black expression and whether or not such a feeling is a common experience.

Gok Wan travels back to his ancestral home to explore the largely unseen world of Chinese mass production, and meet the people working in the factories that supply the West. Gok visits an entire town dedicated to making jeans, one to making bras and visits the factory that makes the iconically British black cab.

This is Phil Wang's second stand-up show, a follow-up to 2014's 'Anti-Hero'. Recorded live at the St James Theatre in London, on the 18th of March 2015.

Inspired by San Francisco's first Chinese American female physician, this film envisions the euphoria and despair of Margaret Chung and her insatiable desire for women and celebrity through her forays into drugs, sapphic surgeries, and queer flights of fancy.

Mika and Ori are spending the day together (again).

The video presents a story of two women: one circulates the streets of Montreal, the other is grounded and standstill in her private space. The images of women dwelling within the exterior and interior spaces are complemented by a narration recounted with a female voice. The poetic story is doubled up by an echo-like delay on a second audio track. This fact emphasizes the ambiguous character of the subject as one and/or many. The 2:30 minute long text is recounted mainly in English, but there are three short audio segments where Polish, Italian, English and French sentences are pronounced simultaneously creating an uncanny audio-cacophony. This new non-language enriches the ideas of walking on one hand, and on being grounded, on the other.

Illegal street racer Kintang Kintung always wins when he is on the streets. One night during a race, he accidentally runs over a girl, instantly killing her. This causes him to take a break from racing as he still suffers from the trauma of that night. His trauma only worsens when he begins to experience paranormal activities.

I Want to Look Like That Guy, the new feature length documentary by Michigan film maker Stuart MacDonald, is a ground breaking movie about what it really takes to look like the guy in fitness ads. The film exposes the false claims in fitness ads and the deceptive advertising practices that rip off billions of dollars a year from consumers. Once you see what the film maker went through to look lean and ripped, you’ll never look at an ad the same way and you will re-think what a normal body image should look like. It is quite funny at times and loaded with old black and white educational films that show you just how far fitness has come and how gullible we still are when it comes to supplement ads in muscle magazines and exercise equipment advertising. You could say this movie is just like Morgan Spurlock’s Super Size Me but in reverse!

'I want to make a film about women' is a speculative documentary love letter to Russian constructivist women. The new Soviet Union of the 1920s championed equality for women and great innovation in the creative arts. Until it didn't. Looking back at that time, history remembers the men who were celebrated and then shut down. But women were there, too, and they were influential, powerful and brilliant. 'I want to make a film about women' gazes in to a creative communal kitchen and watches these women transform it into a workshop, then a stage set, then a film, all the while juggling noisy men and the wolves of history. It imagines what the revolutionary women artists of the 1920s said, what they did, and what they might have created had it not been for Stalin's suppression.

Elliot Worthington falls in love with Myra, the maid in his sister's household. Myra is dismissed; Elliot finds her, proposes marriage, and returns home with his new bride. She is snubbed by his relatives and shocked by the hypocrisy of his wealthy friends. Disillusioned, she runs away: Elliot follows and saves her from being hit by a train when her foot gets caught in a switch.

Three comedians rooming together in a boarding house get involved in hilarious misadventures, including thwarted romances and a banking mishap.