Complet Gra

The community of Zihuatanejo, Mexico is subjected symbolically to a process of introspection and catharsis through a temazcal bath. This results in an exploration of its almost unknown ancient past, which, in the voice of some of the most recognized members of the community, examines some of the most distinctive elements of its culture, but at the same time finds a particularly difficult relationship between rulers and ruled.

The DVD magazine this time is titled Kaga Kaede Graduation Memorial. Disc 1 includes an interview with Kaga Kaede and comments from her members. Disc 2 is titled "Yokoyama Reina presents Kaga Kaede-chan will graduate and let's play with her 13th generation!!" Disc 1 (89mins), Disc 2 (97mins).

Charley's wife accuses him of preferring his Hoot Owl Lodge over her.

This concert film was filmed at Nakano Sunplaza on March 31st, 2007 and marks Nami Tamaki's final performance as a high school student.

In the dense haze that rises from the countryside, a meek voice speaks about an overseas journey, about an unknown language, about the effort to tame with children and words a plain of horror.

From the beginning, it looks like a single accident with a tragic outcome. But the picture of 16-year-old Alexander Storåker's death will soon change - and teenagers are starting to talk about something that some had reason to keep quiet about. The police may only chase mopeds if they suspect serious crimes. So why are two cops at the scene where Alexander dies after fleeing his tuned moped?

Micke is a young, criminally charged man trying to escape his past in the most literal sense of word. But once the past is a masked man with a meat cleaver it's easier said than done. Meanwhile, the metal band Malum arrives at the rock club Perrong 23, with mixed feelings, for their first play on a tour. The mystery seals when their roads are crossed, in an orgy of blood and violent chaos. Who is the masked man? What is he looking for? And why does he kill anyone who comes in his way?

Our hero Udo embarks on something that can imagine a hike. Along the way, he meets some mildly absurd characters.

Delphine Seyrig plays a middle-aged woman coping with an ungovernable present and holding out hopes of escaping to a more pleasant past. She leaves her current residence to retreat to her provincial French hometown. Here she dreams of locating and rekindling an old love. Seyrig is less inscrutable here than in her debut feature-film appearance Last Year in Marienbad (61), though the character is just as complex and difficult to please. Grain of Sand was released in France in 1983 as Le Grain de Sable.

With thousands dead and counting, the ongoing conflict in Syria has become a microcosm for the complicated politics of the region, and an unsavory reflection of the world at large. Against the backdrop of the Arab Spring and the complicated politics of the region, this film explores the Syrian conflict through the humanity of the civilians who have been killed, abused, and displaced. In all such conflicts, it is civilians, women and children, families and whole communities, who suffer at the leisure of those in power. When elephants go to war, it is the grass that suffers

In Le Granier, the earth is living, is suffering and is full of history. The still camera shows a tired mountain which seems to hide a sacred secret. These telluric landscapes transfigured by Fouchard's manipulations on the image (animation techniques, toning, etc.) of a great plasticity, tell the history of this mountain populated with incantations, and its belonging to this wild nature.

Stupor in the city: this morning, someone sprayed a graffiti on the wall of a historical monument! The main people concerned, the Mayor and Dr. Robin, will have to explain...

Having dutifully served their lord for decades, two nuns find out that ecstasy does not only come from above.

A woman who will die soon tells her three children that she wants to do so with as little intervention as possible. They don't know how much of that desire they will be able to fulfill. Accompanying her in her decision makes them confront the way in which our civilization conceives death. Taking charge of preparing this farewell while their mother is still alive will be a mysterious and revealing way to be together.

In a chic and bourgeois mountain town, migrant families live on the streets. Children join forces to hold on and maintain the illusion of a normal life.

In 2002, on the occasion of her brother’s wedding, Dominique Cabrera begun to shoot the gathering, and decided to continue over 10 years, time imprinting its marks on her family and "becoming the film" as she expresses it. Halfway between Agnès Varda and Alain Cavalier, Dominique Cabrera delivers a sensitive film both intimate and universal: "Ten years ago, my brother Bernard got married for the second time. We all went to the wedding in Boston, where he lives. It felt as if we were four little children again with our mom and dad. I had brought along a small camera, which I began to use to film our family. I've continued to this day..."

A tale, told by his five daughters, of the life and death of a man very representative of a Protestant Switzerland in the early 20th century where life was conditioned by the work ethic. He was first a farmer, then a factory worker, then the head of a small family affair where his daughters became his workers. The business grew into an large factory that would be eventually taken over by the only son. The five stories show us the family and professional context of the first half of the 20th century. They are also five different versions of the serene death of a man who felt he had done his duty. The film illustrates the ideas of Max Weber, known for their importance in understanding the Western civilization that emerged from the Reformation.