Complet Giuseppe Gratuit

A performance of the Verdi opera recorded in 2003 at the Gran Teatre Del Liceu. Leading Role Miguel Angel Gomez Martinez, Daniela Dessi, Roberto Scandiuzzi, Fabio Armiliato, Elisabetta Fiorillo, Stefano Palatchi This unique production of Giuseppi Verdi's opera AIDA was filmed at Barcelona's Gran Teatre del Liceu in 2003. Miguel Angel Gomez Martinez conducts an all star cast (including Fabio Armilato, Juan Pons, Roberto Scandiuzzi, Elisabetta Fiorello, Sefano Palatchi and Daniela Dessi) against a backdrop of historic sets preserved from the Catalan school of scenography. The paper trompe-l'oeil sets were painted by Josep Mestres Cabanes in 1936-45. Aida (Italian [aˈiːda]) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.

Filmed live at the Wexford Festival Opera, this superb version of Giuseppe Gazzaniga's celebrated opera buffa "Don Giovanni Tenorio" tells the Don Juan story and stars Miroslav Kopp as the notorious rogue famous for seducing women. Some of his conquests include Donna Elvira (Andrea Bolton), Donna Anna (Malmfrid Sand), Donna Ximena (Joan Davies) and Maturina (Alison Browner). A bonus documentary on the Wexford Festival is included.

This episode of the Great Writers series focuses on Italian author Giuseppe Di Lampedusa. Born into wealth, this multifaceted Sicilian prince was also an astronomer and served in the armed forces. Lampedusa used his own family as a model for his epic novel &NFi;Il Gattopardo&NFi_; ("The Leopard"). It was posthumously awarded the Premio Strega and has since been recognized as one of the most important examples of 20th-century Italian literature.

Les vêpres siciliennes, like the similarly epic Don Carlos, was conceived as a grand opéra for Paris and is driven by the tensions between private passions and public politics. Originally set during Sicily's 13th-century uprising against French rule, in Christof Loy's staging for the Netherlands Opera the action is transposed to a 1940s world of sudden violence and shadowy double-dealing. Imaginatively cast and idiomatically conducted, the performance presents this magnificent score in its entirety, including the allegorical ballet The Four Seasons.

The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.

The acclaimed Italian director, Emma Dante, presents a powerful, barbaric and at time frenzied Macbeth with great attention to detail. Staged and filmed in Italy's largest theatre, the Teatro Massimo in Palermo, Sicily, this production captures remarkable performances by the Italian soprano Anna Pirozzi as Lady Macbeth, the renowned Verdi specialist, baritone Roberto Frontali, in one of his signature roles, and the rising star, Croatian bass-baritone Marko Mimica as Banco (Banquo). The conductor, Gabriele Ferro, has opted to use the 1865 Paris version of the score, sung in Italian and without the ballets, for a production that received generous praise in Palermo and on tour.

A reference to the anarchist Giuseppe Pinelli, who died mysteriously on December 15, 1969, while held at the Milan Police Headquarters for an investigation following a bomb explosion.

Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900

After a victorious battle, three witches predict that Macbeth, who commands King Duncan's army, will ascend the throne of Scotland. Urged on by his wife to force fate, he takes advantage of the monarch's stay in their castle to murder him... The daring Krzysztof Warlikowski revisits Verdi's most powerful Shakespearean opera, with baritone Vladislav Sulimsky and soprano Asmik Grigorian in the roles of the murderous spouses.

Claudio Abbado, conductor; Angela Gheorghiu, soprano; Daniela Bercellona, mezzo-soprano; Roberto Alagna, tenor; Julian Konstantinov, bass. Swedish Radio Chorus, Eric Ericson Chamber Choir, Orfeon Nonostiarra, Berliner Philharmoniker. Live recording at performances to mark the centenary of Verdi's death. Jan. 25 & 27, 2001.

Son of a poor Sicilian sharecropper committing suicide (he owed half a million lire to Baron Lamia), 35-year-old Carmelo Macaluso returns to the Sicilian town, after 15 years of hard work in Germany, with a Mercedes, 100 million in his briefcase and the ambitious plan to buy the respect of the villagers ...

Violetta Valéry, a famed courtesan, throws a lavish party at her Paris salon to celebrate her recovery from an illness. Gastone, a viscount, has brought with him a friend, Alfredo Germont, a young bourgeois from a provincial family who has long adored Violetta from afar. While walking to the salon, Gastone tells Violetta that Alfredo loves her, and that while she was ill, he came to her house every day. Alfredo joins them, admitting the truth of Gastone's remarks. Baron Douphol, Violetta's current lover, waits nearby to escort her to the salon; once there, the Baron is asked to give a toast, but refuses, and the crowd turns to Alfredo, who agrees to sing a brindisi – a drinking song (Alfredo, Violetta, chorus: Libiamo ne' lieti calici – "Let's drink from the joyful cups")...

Soprano Ermonela Jaho stars as Violetta Valéry, with Charles Castronovo as her lover Alfredo and Plácido Domingo as Alfredo’s stern father Giorgio Germont, in The Royal Opera’s much-loved production of Verdi’s La traviata. One of the greatest of all operas, La traviata is based on the novel and play La Dame aux camélias by Alexandre Dumas fils, inspired in turn by the life and death of the real Parisian courtesan, Marie Duplessis. The opera tells the profoundly moving story of a courtesan prepared to sacrifice everything for love, and contains some of Verdi’s most beautiful arias and duets.

Biographical film about Giuseppe Benedetto Cottolengo (1786-1842)

Written for exceptional singers, Il Trovatore has remained popular ever since its first performance at the Teatro Apollo in Rome on 19 January 1853, when even the toughest critics were convinced of its place in the repertoire. People are attracted to Il Trovatore because of its rousing melodies, its brutal, powerful plot, and its simple structure: elements that make it one of the best examples of Verdi’s theatre pieces. Recorded live at the Sferisterio theatre of Macerata in the summer of 2016, under conductor Daniel Oren's vibrant and incisive direction, this production boasts a first-rate cast and elegant direction from Francisco Negrin. The sets and costumes by Louis Désiré and lighting by Bruno Poet were well received by the Sferisterio audience.