Complet Garde

A gentle and confused home movie in search of a lost space - my grandmother's garden, where I spent my childhood. There is nothing to testify to that place and my time there. There are memories pollinated by the pollen of garden poppies the warmth of my hands, toiling in the sunshine and the stories of adults about the big world. Summer, reveries, childhood, prejudices, the realities of the noughties, a small town - shimmering images that can never manifest, but endlessly manifest themselves. The intimate experience is torn by externalised reality: the formerly Latin poppy becomes a threat to gardeners and gardeners, bugs represent terror and flowers represent death.

Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.

In this short film, Halifax gardener Carol Bowlby harvests a mouth-watering crop from her small backyard plot. In considering soil quality, lack of space and a short growing season challenges rather than obstacles, she offers a wealth of practical growing tips for urban gardeners. By heeding Bowlby's advice, bountiful organic gardens work equally well on apartment balconies, in small or large city lots or in a rural setting.

Mesopotamia was the site of the Sumerian civilisation, which flourished at the confluence of the rivers Tigris and Euphrates. From 5000 to 2000 BC, the Sumerians flourished in a hostile environment by developing agriculture and irrigation and they opened up the trade routes of the ancient world. It was the Sumerians who invented writing and the wheel, and they first divided time into minutes and seconds. In the end however the Babylonian civilisation took the place of the Sumerians. However their heritage and myths live on in the Mediterranean and Western worlds to this day.

This project started with video from a three day workshop. The workshop covered the earthworks for building a pond without a liner, a swale, and a hugelkultur bed on a terrace. Then we added more footage by doing the same workshop over again in a colder climate. A year later, we returned to the first workshop site and added even more footage! We even had an evaluation by the Crown Prince of Permaculture, Geoff Lawton.

Dreamers experience touch, smell, and sound in a virtual world called Dreamland. They enter a world of sexual adventure, stimulation, and visual sensation.

Enset, which is related to the banana plant, is very drought resistant and a good source of carbohydrates (in the stem and underground bulb). Enset has been farmed from time immemorial in the Gamo Highlands of southern Ethiopia, where women are the main cultivators. The film focuses on Aiye, the filmmaker's grandmother, who shares her knowledge about the enset plant, and shows how it is possible to produce good organic food by using simple farming tools and natural fertilizers. We see how she and a young kinswoman cultivate (using animal dung and organic waste to fertilize the plants), propagate (generating suckers from the corm), harvest (digging up the plant) and process (scraping and fermentating) the enset, and finally produce a variety of nutritious dishes.

Reason: Self-portrait of March twenty-one “October 19, I'm on my very last chapter now, the very last. The rain, the birth, the flood and the barn, the hungry guy is the last scene that's been ready for so long. I'm sure of one thing, it's not the great book I had hoped for, it's just an ordinary book and the most horrible thing is absolutely the best I can do. "(John Steinbeck)

An intimate, filmic love letter to the filmmaker’s quasi-grandmother.

A man holding a heavy watering can walks along a path that feels almost too long and somehow strange. Passing through a place where there are kisses yet also sighs, the camera finds the beings that offer a kind of consolation to humans who have no strength before life and death.

Three scenes reflecting on paradise, lust and hell. In 'The Garden of Delight' beauty and evil go together like in a dream. We dive into a world of erotic derangement, inhabited by dancing lovers, lustful mutated baboons, tropical birds, deformed pin-ups, butterflies and body-builders. This hand-manipulated collage film, made entirely out of 35 and 8mm found-footage, explores the marriage between heaven and hell, our irresolvable endless conflict that goes with human nature. Inspired on the triptych 'The Garden of Delight' by Jheronimus Bosch.

My mother's garden in Spring, filmed the Easter after her death. My mother died suddenly in December 83. In the Spring the blossom came through as though nothing had happened. I filmed the Easter morning and evening. 2 reels of Super 8. Like a song. The sound was recorded in the same place one year before the image, that is before her death. It does not tell. It is her garden for the last time.

Even though Gaby turned 18, she still hasn't had her period, so she decides to take matters in her own hands.

“A young woman moves between light and dark, life and death; a latter-day Persephone. The natural world responds accordingly. Neglected negatives, abandoned envelopes, botanical and anatomical illustrations, and found recordings reorder themselves, collapsing and reemerging in her liminal world.”—Janie Geiser

A slapstick comedy about an unhappy young girl whose life is turned upside-down when she finds a mysterious runaway with psychic powers in her back garden.

An elderly man yearns to finish his garden.

A brief history tells lets the architects narrate the Utopian perspectives of Robing Hood Gardens and contrasts their perspective with the destruction of the housing estates decline.

The legacy of homeownership and gardening pumps through the veins of a Black family in North Oakland.