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Lilith, a wood nymph, is lured through magic to Klingsor’s castle, where she is held spellbound. Klingsor, a disgraced knight who has turned to witchcraft after being castrated, is after young women to take as ornaments for his enchanted garden. After she gradually regains awareness of her nature and her powers, Lilith turns on Klingsor. With the aid of the other captive women, who have now become her disciples, she brings a new order to the castle.
On a clear afternoon, a small garden at home is surrounded by a silence that seems to last forever. Only the gestures of the cats let me experience the time of this small garden. In the garden, something is being built up, cleared away, destroyed, created. This film is an experience of garden time, which fades as the layer gets thicker.
When a young deli-counter clerk and general slacker in New Jersey accidentally saves a young woman from a serial rapist, he becomes convinced that his new role in life is to become a vigilante.
Real experiences gain poetic meaning in a personal journey of catharsis
On the motives of Chinese legends. For adults.
A stop motion animation using several phenakistoscopes of a polyhedron and other materials. Five “Egg birds” appears in the artificial garden.
This film offers new perspectives on the relationship between the forest and Indigenous communities and the role they play in the fight against the climate crisis.
A lonely girl feels like someone is following her, someone mysteriously fascinating, a girl like her... this beautiful stranger could be her new best friend.
Hong Kong movie
The documentary follows the Englishman Mark Atkin in search of both his Jewish past and the family treasure which his father had told him about and has been an object of familial fascination for decades
In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.
Robinzonis a Georgian agronomist, whose veggie garden happens to be in the Russian occupied zone. The war starts and people evacuate the area, however Robinzon doesn't leave the veggie gardan.
Early work by Kenji Onishi.
In contexts of conflict, such as Gaza, one often encounters feelings of fear and hatred, even in children. Interviews with educators, unions, NGO leaders, Palestinian citizens (mothers and fathers), and images of both educational and family life contexts.
