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When As’ad, a 12-year-old rubbish picker, adopts an American sex doll from the Baghdad dumps, he crosses into a perilous red zone, finding himself caught in the crossfire between abusive forces of commercialism and fundamentalism in a world where defenders of humanism have lost their power. He embraces the courage it takes to not just survive, but live.
A small picturesque town at the turn of the century. The conservative views of the townspeople are shaken when they find out that the school teacher Franzén published his own poetry anonymously many years ago. At the same time he acknowledges his love affair with a waitress at the city hotel, Fanny. What is most upsetting is the fact that Fanny has a grownup daughter, Anna, with no known father. Could their poet teacher be the father although he and Fanny are not married?
One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.
Monty Don sets out to discover the true essence of these elegant gardens and what we have taken from them. Armed with his extensive knowledge and passion for all aspects of horticulture, Monty travels through Japan to explore the best gardens the country has to offer. From plants and architecture to new techniques and differing climates, this series is full of rich colour and vibrant landscapes as Monty examines how a mix of history and new innovations are shaping the gardens of Japan today and how they are perceived. Get ready to enter an enticing world, full of enchanting stories, wonderful characters and, of course, beautiful gardens.
After discovering a hidden figure beneath an important nineteenth-century painting, Monica, an art conservator, struggles to restore a potentially objectionable portrait.
We talked, in our limited way, about the cosmos. Our childhood and other vulnerable periods popped up. We were fine with not knowing our true meaning if we were only a speck at the intersection of coping and pure suffering, we would try our best to make that speck twinkle.
A solemn flower, dried out and left in shadow.
Tales from Fat Tulip's Garden was a children's TV program in the mid-1980s, starring Tony Robinson. It was produced by Debbie Gates for Central Independent Television and aired on British TV network ITV from 1985 to 1987, in a 4:00pm timeslot, with each episode lasting about 10 minutes.
Robinson would tell children's stories directly to camera in an English garden setting, and would put on all the voices himself. The show was written by Debbie Gates and Robinson and carried by Robinson's unique and engaging storytelling style, which was semi-improvised. Robinson hoped to provoke the imagination and produce a sense of immediacy in contrast to the shortcomings he saw in children's television at the time.
The majority of the programme was filmed in the house and garden of Little Monkhams, a property in Woodford in the Redbridge Borough of London. Further scenes were filmed in the part of Epping Forest facing the house
When a spoiled English girl living in 19th century India loses both parents in a cholera epidemic, she is sent back to England to live in a country mansion. The lord is a strange old man-- frail and deformed, immensely kind but so melancholy. She wishes to discover what has caused him so much sorrow and to bring joy back to the household. It all must have something to do with the screams and wails which echo through the house at night and no one wants to talk about.
In the center of the story are middle—aged women who live far from the capital and fight every day for a decent existence , one of them was lucky — despite everything, she allowed herself love.
The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.
As one wanders through the garden on a leisure tour, they find what has been lost in the mists of light and shadow. July Twenty-seventh, Tour of Suzhou Gardens offers a personal path from the aesthetics of experimental cinema to a conversation within Chinese poetic tradition.
The keepers are kept busy with animals under their care. These animals, although they've got the hint of their natural instinct left, are unlikely to survive if released back to the wild. It'd be difficult for them to take part in the pack and they lack the skills to find food. Nevertheless, the ultimate goal for everyone at the zoo is to send the animals back to where they truly belong.
A ship carrying Conquistadors is wrecked and the survivors are thrown ashore to struggle through the Yucatan jungle.
Based on a novel by Ali Asghar ezzati pak
Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...
Gardalul's drama was one of the most watched dramas in the Kurdistan Region, directed by artist Jalil Zangan and produced in three parts.
Leyla and her six-year-old daughter Nila live in the holy city of Mashhad in Iran. Nila is the result of a temporary marriage, which allows a man to marry a woman even if he is already married. Children born from such a relationship are legally non-existent. As long as the father does not recognize the child, no birth certificate can be issued and Nila cannot attend school. The documentary depicts Leyla's tireless efforts to clarify Nila's legal status in order to offer her a perspective for her future. In a never-ending bureaucratic battle, Leyla fights not only against the legal system, but also against a judgmental society.