Complet Garde

Five years after Soleils noirs, Julien Elie returns with a rigorously researched work, asserting itself as a genuine cinematic piece. This time, he turns the spotlight on the regime of terror and violence forged by transnational companies, in collaboration with the Mexican government and organized crime allowing them to appropriate land and exploit resources. With respect and careful attention to detail, the film uncovers the courage and dignity of resistance to this new kind of colonialism that is both destructive and murderous in nature and reigns with utter impunity. The camera hones in on the faces of those who have dared to speak out, and on their daily lives, which have been turned upside down. It magnifies a land of great beauty and richness marked by physical and psychological scars.

"The Frenchman" was what locals called the man who ran the bar and restaurant in the small town of Peñaflor in rural Spain in the early part of the 20th century. But Juan Andrés Aldije Monmeja was not your usual jolly innkeeper. He ran an illegal gambling den and pimped out the waitresses who worked for him. Deciding there were easier and quicker ways to exploit his customers, The Frenchman started slaughtering them, stealing their money and burying their corpses in the garden at the back of his inn. It was not long before people started asking questions...

Fukano, an elderly novelist who grew up in the mountains of Tokyo, met a young woman, Kana, for the first time in Fukagawa. Overcoming the age difference, they are strongly attracted to each other. However, in Fukano, in addition to the problem of downtown and uptown, there was a deep “river” that separated women and men. However, Kana, on the other hand, easily crossed that "river" due to her sexual love with Fukano. "I never thought I'd live west of the Sumida River," Kana said. However, behind this lies the conspiracy of Fukano's old lover, Junko. The two get married, but Kana's behavior is gradually haunted by a mystery, and the shadow of her detective and old man flickers. The core of the mystery involved a strange sex shop

On 22 acres of backcountry land in the American South lies The Garden - a community that lives by its own laws, free from the pressures of modern society. They maintain an open-door policy to anyone seeking to join their ranks, but new people must submit to an initiation period. Some barely last a week, others are forced to leave, and a chosen few will call The Garden home for good. Questions continue to arise about the cult-like vibes of the controversial community, but this spring is different. Cameras have been granted unprecedented access to The Garden, documenting its spread to new locations deep in the Ozarks. Founded as a cooperative, "leaderless" community, The Garden could be viewed as a post-apocalyptic wonderland free of societal rules.

In a deserted rich house, a couple of amphibians explore their surroundings and follow their primal instincts.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.

Brazilian philosopher Olavo de Carvalho's thinking, presented through his presence, his daily work routine and his family life in Virginia (USA).

The film is about six people who meet in a hotel for a sex party. After taking a particular medicine, the situation is out of control ...

Five people visit a fairground sideshow run by the sinister Dr. Diabolo. Having shown them a handful of haunted-house-style attractions, he promises them a genuinely scary experience if they will pay extra.

Gardening by the Yard is an American gardening show that airs weekly on HGTV and is hosted by master-gardener Paul James. It premiered in 1996. HGTV states that Gardening by the Yard is for people who want their yards to look great but don't have time to spend on them. James focuses on the lighter side of gardening and practices organic gardening. Topics include composting, correct watering, plant zones, vegetable gardens, planting plants that are natural to your area, and many other gardening basics. Most of the show is taped in James' Tulsa, OK backyard. James is not afraid to show flaws in his yard as he claims this makes the show a real gardening program. James will also have occasional guest gardeners give their own tips for specific fruit and vegetable crops such as growing fruit trees in containers or designs for the garden. James often takes the show to locales across the country to visit other gardens or locally owned nurseries. The show has featured many guest stars over the years including James Gonzalez and Alexis Stewart. 2009 was expected to be the last year for the show as it has not been renewed. However, as of mid-2010, reruns are shown early weekday mornings. As of January 2012, the show no longer appears on HGTV's schedule, but visitors to HGTV.com can find short web-cast reruns of the show.

The story of a hero who grew an apple orchard for people.

Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.

The film tells the story of an endless night with Alsa, a central character with insomnia and continuous delusions, while an impossible movie is shot behind her back. Mental illnesses, pills, the fear of the future and the present, suicide as an escape door to darkness, the mediocrity of the artist and the despair of Spain today and the obsessive search for endurance and infinity.