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A monster who loves flowers, experiences a harsh change to his environment.
Alan Titchmarsh visits six of England's most beautiful gardens, including Killerton in Devon, Barrington Court in Somerset, Peckover House in Cambridgeshire, Dunham Massey in Cheshire, Cragside in Northumberland, and Sheffield Park in Sussex.
Alan Titchmarsh visits another six of the country's loveliest gardens: Anglesey Abbey in Cambridgeshire; Biddulph Grange in Staffordshire; Hardwick Hall in Derbyshire; Knightshayes in Devon; Mount Stewart in County Down; and Studley Royal in Yorkshire.
Death in the Garden of Paradise is an intensely personal meditation on the murder of the filmmaker's father and sister in Lahore by an unknown intruder. The disassociation caused by traumatic loss and the impossibility of knowing the identity of the killer flow seamlessly into the film's aesthetics so that familiar sights become strange, shopkeepers and passing pedestrians become suspects, and sound is fragmented and distorted. Architecture and haunted spaces, deserted gardens, photographs and paintings are both metaphors and physical locations in this elegant elegy to mortality
"In his description for A CHILD'S GARDEN, Brakhage quotes from poets Ronald Johnson and Charles Olson (and cites Johnson's poem "Beam 29" as inspiration). But the film also vaguely calls to mind William Blake—more perhaps for his art than his poetry: there is both a sense of darkness and of mystical transport in Brakhage's images. The first film in the loose "Vancouver Island" quartet, Brakhage films locations around the British Columbia locale where his second wife, Marilyn, grew up. He films land, sea, and sky and intercuts frequently between them. Shots are often out-of-focus, to accentuate color and light; they are hand-held, upside down, and fleeting. All of this is no surprise for those who know Brakhage's work: anything and everything is valid, as long as it works." - Cine-File.info
A feature length movie made by Allmänna valmansförbundet (today known as Moderaterna) for the Swedish elections. Illustrates how a young peasant whose father and forefathers strived hard for their farm.
An impression of life on a Swedish farm in Småland during the summer of 1941 by Prins Wilhelm.
30 years after their first encounter, Kimiavi goes to find Dervish Khan Esfandiarpur again to witness the persistency of his ‘surreal’ behaviour through time. The dervish dancer may have become an old man but his garden and rituals all remain…
Construction begins for a new pavilion at Hilversum's botanical gardens. The architects, in the role of builders, navigate a year-long process with the occasional help of the gardener and under the watchful eyes of the local residents.
