Complet Etoi

A man whose father was an alien from another planet inherits his father's supernatural powers. He is assigned to guard a beautiful Indian princess who is on a state visit to America.

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.

In 1950, Jozef watched the communists assume control over his native Hungary. He was too young to have an opinion about it, but he was mightily impressed all the same. Now it is 1968, and he is a young man. When the Russian tanks come rolling through his village on their way to suppress the stirrings of freedom in Prague, he does what he can to ensure that he's in good odor with those who will inevitably come out on top. This meandering political drama is apparently an exploration of opportunism, but reviewers gave it low marks for clarity of exposition.

Mirazur, Argentine-born chef Mauro Colagreco's 3 Michelin starred restaurant on France's Mediterranean coast, was awarded Best Restaurant in the World on the eve of the pandemic. Not content to rest on their laurels, Colagreco and his diverse team soldiered on through the global tragedy of the lockdown, boldly reimagining the restaurant's concept and menu to reflect their dedication to biodynamic principles. Mirazur re-emerged with a new and enthusiastic approach: the Moon Menu.

Documentary on russian science fiction director Pavel Klushantsev.

Explores the intense competition between Elon Musk's SpaceX and Jeff Bezo's Blue Origin as they battle for the top spot in the U.S.'s space travel business.

Sarah and Paul leave their native California once a year to eat their way through France. They test the Michelin guide’s recommendations for three-star restaurants (the top rating) and between meals still have time to do some wine tasting at the best cellars. The filmmaker follows them around in a second car.

The Raccoons and the Lost Star is a precursor TV Special to the animated series The Raccoons and debuted in 1983. It came after the first two Raccoons seasonal specials, which were The Christmas Raccoons in 1980 and The Raccoons on Ice in 1981. There are some thematic elements that don't exist in the first specials, such as the Raccoons' world being separate from that of the humans. In the United States, where The Raccoons specials were in the top 10 in Nielsen ratings, The Raccoons and the Lost Star was the number one children's two-part special in syndication at the time.

Robert Lahnstein, feared TV commentator, doesn't like people, not even at Christmas. He wants to be alone - even on Christmas Eve. He thinks Christmas is just as hypocritical as politics. That's why he packs his SUV with a frozen goose and a Christmas tree to retreat to his lonely cabin in the mountains. But the plan ends for him in a tree. With the last of his strength he reaches a barn. But he is not allowed to be alone even in the deepest wilderness, because other people have also sought shelter from the snowstorm in this barn and Robert Lahnstein has to gradually put aside his rudeness and his prejudices.

An old astronomer named Nigadimus has been transfixed by a star for a long time. He had but one thought: to travel to it, to declare his love for it! But how? A simple but ingenious solution-- A giant bubble. An Italian production, this is Velle's longer version of his own film for Pathé, released the same year-- On the same date. Uses many of the same sets, but different props, as well as a different ending.