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An archery contest results in the murder of the rich family head by someone with an arrow. Of course, the roving competitor trying to win the money becomes the chief suspect, despite everyone else there also being archery experts and many of the others being heirs in the dead man's will.
Ryan McNamara has been beaten, abused, witnessed slaughter, and been subjected to sexual torture. But that's nothing compared to what Ryan is about to do.
The manor, which served as a guest house by the will of Mr. Adem, is referred to as uncanny in the town. Housekeeper Hasan, who lives alone in a big mansion, scares the guests with her strange manners. The greater danger that awaits guests is the visits of a ghoul from his grave to the mansion.
Finnicky efficiency expert is sent to straighten out business management problems at a jazz club, and finds self being drawn into the swingin' scene.
In 1985, a daring worker of the Bureau of Indian Affairs in Brazil denounced a massacre in the lawless region of Corumbiara. The investigations turned to a series of indigenous genocides in the area. Spanning 20 years, the film shows the search for proof and the version of the survivors, when they were finally found, hiding in the forest, terrified of white men.
I Don't Like The Boys is a project inspired by the international campaign "It Gets Better" that brought together people from all different backgrounds and life stories to shine a light on same-sex relationships. It is a brilliant initiative that represents a growing effort in Brazilian cinema to demystify and de-stigmatize homosexuality in that country.
Full of irony melodrama about a long history of love, which received an unexpected continuation after many years. About her hero, trying to guess his future and, to his own surprise, sometimes guessing it.
FRONTLINE investigates the widespread use of antibiotics in food animals and whether it is fueling the growing crisis of antibiotic resistance in people. Also this hour: An exclusive interview with the family of a young man who died in a nightmare bacteria outbreak that swept through a hospital at the National Institutes of Health.
Paris, France, 1784. After living many tribulations, Joseph Balsamo, known as Count Cagliostro, an infamous adventurer, enigmatic magician and necromancer, experienced physician and ruthless swordsman, triumphs among the members of the decadent French aristocracy. But a bold foretelling about a very prominent noblewoman causes his fall in disgrace… (Partially lost film.)
After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.
Archival imagery, warped, distorted.
Once a renowned karateka, Sawi veers to a quiet life, teaching karate to a handful of slum kids.
The film begins with a young man running while muttering over and over again, "Don't-" (Don't let it bring you down), the title of the film. These words are also a passionate message to the audience. A man and a woman, one chasing the other and the other being chased, a young man with a dream to make a film and the other with no time left. The love, desire, and fate of these people are depicted in this bold story. The final scene with "Love Me Tender" in the background is very moving.