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One man, One cow, One planet exposes globalization and the mantra of infinite growth in a finite world for what it really is: an environmental and human disaster. But across India marginal farmers are fighting back. By reviving biodynamics an arcane form of agriculture, they are saving their poisoned lands and exposing the bio-colonialism of multinational corporations. One man, One cow, One planet tells their story through the teachings of an elderly New Zealander many are calling the new Gandhi.
The future is single mums - I don't know if Oates's mum has a husband but I can't hear him so if he's there he's just writing and we're gonna burn the books anyway. Filmmaker and L.A. socialite Oates Wu is actually stuck in China right now - he went over to develop a feature film and then coronavirus virus broke out. 28 days later, with no way out (or into the film industry lol) Organic Cow screens at Garden Reflexxx 3 making you wonder, do they serve steak on Christmas Island? I once saw Mel Gibson eat a steak with one hand.
Calino wants to live the cowboy life and travels to America to see the West.
Marcelino is an eccentric, introverted painter and art professor who, approaching his sunset years, learns he has a disease that could render him blind at any moment. As he begins to put his emotional affairs in order, including his strained relationship with his daughter, he must face the inevitable.
One taxi driver, the other mechanics or masons. They drive a moped as Johnny Halliday and wear pants Zazous. During the weekend, they play in a real western with guns purchased at the supermarket, loaded with blanks. They love violence, their favorite actors are Edward G. Robinson and Glenn Ford. The heroine is selling at the Galerie du Niger. When the Nigerian filmmaker Mustapha Alassane turned the return of an adventurer, the first African western, Serge-Henri Moati wanted to make a film about film. The cowboys are turning black traces and proves at the same time the reality and fiction, film and life, sometimes extremely close, especially when it comes to the Wild West ..
In this original short drama, a Cherokee café waiter faces customers who insist on sharing their ignorance about American Indians--or are they Native Americans? His efforts to educate others often end in frustration, and a lousy tip. Based on his own experiences encountering skewed perceptions and depictions of his people, Redroad's story blends humor and rage and information. Clips from movie westerns help make his point.
Chaos at the Cow Palace was a wrestling event held by Ring of Honor. The show was part of Wrestle Fan Fest 2007, a large professional wrestling and mixed martial arts (MMA) convention held on November 19, 20 and 21 at the Cow Palace in San Francisco, California.
When Steve buys the wrong milk, he finds himself at the mercy of an ancient evil.
The true story of a young Ethiopian immigrant in America wrestling with his identity and trying to understand the American Dream after his father's murder by white supremacists.
A tribute to The cow that plays like a dairyman’s dream come true. This documentary stresses the importance of milk to the human race by depicting a Guernsey herd at its dairy home and shows the care necessary to produce pure milk.
Wonderfully candid interviews with New Glarus Brewery founders/owners Deb and Dan Carey fuel this inside look at the legend behind WIsconsin's signature craft beer, Spotted Cow. Filmmaker Bill Roach has captured endearingly down to earth and detailed anecdotes about the couple's history both in and out of the brewery, revealing a true-life rages-to-riches tale that is both touching and inspiring.
Tales of a Sea Cow describes how a team of scientists have achieved the first ever decoding of animal communication; for the first time in history, they have translated the song of a marine mammal - the 'Steller's Sea Cow' - a species, which was until now thought to be extinct since 1768. The rediscovery in 2007 off the coast of Greenland is discovered in 'Tales of a Sea Cow'.
A Cow at My Table explores Western attitudes towards farm animals and meat, and the intense battle between animal advocates and the meat industry to influence the consumer's mind. Five years in production took Director Jennifer Abbott across Canada, the US, Australia and New Zealand to meet with the leaders of the animal rights movement, animal welfare advocates as well as spokespeople from livestock industries. A Cow at My Table inter-cuts these diverse perspectives with archival films, images from modern-day agribusiness and footage of farm animals shot from uncharacteristic vantage points.
From the project "Multipelki", issue 2 A new interpretation of the famous song by Maxim Dunaevsky from the film "Mary Poppins, goodbye". The young poet is resting in the village in the summer, and before him there is a whole parade of amazing cows with different destinies and characters.
Herdsman Fabiano will be a father soon. He owns fifty goats and eight cows and is trying his best to produce the alpine cheese that his hippie parents made a name for themselves with in the '70s, in an isolated valley of Ticino. But nothing is going the way it should. He's in debt, and feels guilty for a fatal accident which occurred the previous year, which haunts him. How can he and his girlfriend build a life together under such difficult circumstances?
A daring documentary delving into the experiences of a Ukrainian forced labourer in Germany during World War II, exploring themes of love, loss, and profound longing. When the filmmaker’s grandmother was 19, she was taken from Soviet Ukraine to Germany to work on a Bavarian farm under National Socialism. She had the luck and perseverance to survive the hardships of the forced famine in her homeland and forced labour in the new one. The stories of her everyday life – learning how to milk a cow, and falling in love – are interspersed with three generations of reflections on politics, longing, feelings of displacement and loss. Hand-processed black & white film, colour film, photographs and official documents create a montage of different perspectives. The hand-touch aesthetic combines with the acousmatic effect of disembodied voices, in this deeply intimate portrait obscured by memory loss, mistranslation, fear and trauma.