Complet Au D

The world is about to end. A man dressed as a fish tries to cross the chaos on a scooter to reach a mysterious tower.

After she had been raped by her father, a young woman leaves the town with her new born son. Years later, the son can't accept that his mother fell in love with someone else than the mythical father she had told him about.

Hervé Montagne, a famous but awfully self-satisfied playwright, is furious when he learns that the actress signed to lead in his latest play will not be able to play the part on account of pregnancy. All the more as no other great actress is available. Well, in fact there IS one, Gabrielle Tristan, a great name of the French stage. The only trouble is that she is Hervé's ex-wife and that they have not been on speaking terms for ten tears.

More than fifty years after its making, we return to the set of Jean Cocteau's 1946 film "La Belle et la Bete" (Beauty and the Beast). Included are interviews with the the lead actors, the cinematographer, along with excerpts read from the director's journal.

A young woman and an urban landscape mingle.

The well-seasoned film-maker Jacques Meilleurat has always been discreet, making films at a modest pace on a shoestring. His latest opus stages this financial necessity – in the supposed beginning, there is an old fictitious contract signed with a publisher to tell the story of a life scarred by sexual abuse. This diary is dictated into an old-fashioned cassette recorder. That is what the film depicts.

Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.

In reaction against a closed and oppressive world, a Pop festival is organized where young people in the communion of music, claim their identity, armed with their only guitar, music and good humor.

In Bab El Oued, during the French colonization, the action takes place against the backdrop of elections. The unemployed Roro, son of skewer merchant Dodièze likes Chipette, daughter of hairdresser Gongormatz.

Denis and Rachid, a black and an Algerian, are looking for an apartment in Paris. Both meet Virginie, whocould rent them the vacant apartment of her stepfather, but she'd rather rent to some low-lifes than to a black or an Algerian.

25 youngsters, aged 10 to 12 years, probe political party leaders on a range of topics.

A lonely and unsociable man is spying on customers in a department store in Geneva. He gets his eyes on a gorgeous creature with a musical instrument.

Algiers, summer, a Sunday. A young loving couple goes to Tipaza: strolls on the beach, detour to the dancing, scooter rides. Imperceptibly, the initial harmony cracks. At the bevel of kisses years go by too much.

Alice sets off in pursuit of a mysterious white rabbit in a hurry. After a dizzying fall into a deep well, she discovers a strange world populated by beasts who behave like humans. She changes size, is invited to a wacky tea-time party and becomes a witness to a momentous trial conducted by the Queen of Hearts.

Cameroonian filmmaker Jean-Marie Teno directs this impassioned documentary about the slow crumbling of traditional morals and values caused by colonialism and globalization. The film traces Teno's journey from his base in France to Cameroon's capital Yaounde to his hometown of Mbieng. In the process, he captures images of corroding infrastructures and corrupt officials.

Un drame au château d'Acre is a 1915 silent short