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Patrick Tam plays James, a director of TV commercials who becomes infatuated with Julia, a mysterious woman he happens to notice walking across the street one day (and since Julia is played by Shu Qi, who can blame him?). She is actually a high-tech industrial spy, and plans to quit the service after completing one more mission, with the help of her new partner Candy (Tien Hsin). When the women realize that they have been set up, James tries to help them and the initially hostile Julia begins warming up to him.
Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)
