Complet A Day

After the death of previous Boss, a gang war lasts for more than four years.

Tragi-comedy about a man who, overnight, becomes rich by winning a lottery.

A woman begins to think of herself as damaged goods on the love market after her long-time boyfriend dumps her. A new love story begins when she meets the man who helps her realize the value of second-hand goods.

The Day After Tomorrow is a 1975 British science-fiction television drama produced by Gerry Anderson between the two series of Space: 1999. Written by Johnny Byrne and directed by Charles Crichton, it stars Brian Blessed, Joanna Dunham and Nick Tate, and is narrated by Ed Bishop. It first aired in the United States on NBC, as an episode of the children's science education series Special Treat, in December 1975. In the UK, BBC1 broadcast the programme as an independent special in December 1976, and again in December 1977. The plot of The Day After Tomorrow relates to the interstellar mission of Altares, a science vessel of the future that can travel at the speed of light. Departing from its original destination, Alpha Centauri, Altares moves deeper into space and her crew of three adults and two children encounter phenomena such as a meteor shower, a red giant star and, finally, a black hole, which pulls the ship into another universe. Originally commissioned to produce a child-friendly introduction to Albert Einstein's special relativity theory in the form of an action-adventure, Anderson and Byrne conceived The Day After Tomorrow as the pilot episode of a TV series. To this end, writer and producer proposed the alternative title "Into Infinity", although their limited budget precluded the production of further episodes. With a cast and crew that included veterans of earlier Anderson productions, filming on The Day After Tomorrow ran from July to September 1975 and consisted of ten days of principal photography and six weeks of special effects shooting. The visuals of Space: 1999 influenced both special effects technician Martin Bower, the designer of the scale models that appear in the programme, and production designer Reg Hill, who re-used set elements from various episodes of Space: 1999 to construct the Altares interiors. Newcomer Derek Wadsworth collaborated with Steve Coe to compose the theme and incidental music.

About the acquaintance of Topa and Tutti, a cute and shy hippo and a good, but also very proud kitten. Until they met, they dreamed of finding friends, because they were very lonely. And then they met one day! Now they are will have funny stories and adventures, and most importantly – sincere friendship.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

A U.S. Army colonel alerts the president of a planned military coup against him.

In 1978, a serene Spanish beach campground bursts into chaos when a devastating accident shatters a summer getaway for German tourists. As paradise ignites, their lives intertwine, revealing hidden fears and unbreakable bonds amid the flames.

An impoverished leader of a small religious commune in Miami is offered cash to save his family from eviction. He has no idea his sponsor works for an FBI agent, who plans to turn him into a criminal by fueling his madcap revolutionary dreams.