Compag

Twenty years after graduation, a tight-knit group of college friends reconnects and discovers that love hasn't gotten easier with age.

Julia is suffering from a terminal illness. While in hospital she encounters Marine and, taking advantage of the young woman's precarious financial situation, makes her an offer. In exchange for a weekly 1000 euro payment, Marine will accompany Julia to her death. An exclusive and singular relationship forms between the two women.

A troupe of actors rehearse a play. In the play-within-the-film, an ambitious son and his distant father fight for control of an armaments firm and are pushed to eventual destruction by dangerous outside forces and traitorous aides.

Marianne, whose past is not beyond reproach, runs a real estate agency, to whose customers Mr. Donzin grants high-interest mortgages. Donzin provides high-interest mortgages. Mr. Donzin has just executed a charming victim who, unable to repay her loan after her husband's death, has had her business confiscated. Marianne is dreaming of a vigilante when her ex-husband, Alfredo, pardoned from prison, reappears. When he finds out, he sees in Mr. Donzin a "pigeon" worthy of attention.

As soon as they arrive at the barracks, the new contingent reveals some characters who will give their officers a hard time. There is the handsome, resourceful man, the technocrat in love, the bootlicker, the "Jamaican" who only moves to music, the shortsighted man... and all the others. Sometimes to see the nurse undress, sometimes to arrange an appointment with a fiancée, sometimes to cuckold the obtuse non-commissioned officer whose wife is volcanic, sometimes to have a free lunch in a great restaurant, the handsome man invariably deploys a wealth of cunning. And each time it is the colonel's servile driver who gets caught instead of him.

Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.

The history of a great school is the history of a great nation. On the occasion of the 80th anniversary of the Liceo Giulio Cesare - the historical school of Rome - the journalist and director Antonello Sarno reconstructs its history with a documentary.

Momi Tamberlan, Bortolo Cioci and Piero Scavezza are the last three old survivors of a club founded at the time of their student life by their partner Giuseppe Bardonazzi. The rules of the Club establish that who cannot be a member of the Club he has no reputation as a pleasure-loving, gluttonous.

Two hearing protection product sales reps have mixed fortunes in the exercise of their trades. They first have to face a female singer who... slams her door at them! Second they try to a influence a man by giving one of his friends'name as a reference whereas the aforementioned friend is... on the spot! As for the third client, he seems to be willing to buy one of their articles until the two salesmen realize that he is... hard of hearing!

“Last semester, I went to Canada, leaving the Midwest in search of the cosmic je-ne-sais-quoi.” Compagnon de ma calamité (Companion in My Calamity) is an immersive travel film in which the director explores aspects of living abroad vis-à-vis his experience living in Quebec. As summer turns into a Canadian winter, postcard images of his neighborhood pop up like memories. What do we remember when we leave a place? How do we process it? What narratives can we construct from our past? Why?