Circle

Jessica moves into a loft on the eighth floor of a Los Angeles apartment building called The Dante. The other tenants all seem friendly at first, but when she starts witnessing horrible deaths, she must team up with her neighbor Evan (Doom) to solve the mystery -- and uncover her own connection to the place.

High school doesn't really end after graduation. Whether you like it or not, it follows you around wherever you go. It may be in the back of your head, but it's there. Sometimes it comes out when you're around your old classmates, and you revert back to your 18 year old self, despite your best efforts. For Lucas, Noah, Jessie, Abby, April and Tyler, their upcoming 10 year high school reunion keeps inching closer and making them realize all of this. Each of them wants to separate themselves from their high school persona, for different reasons, but things keep happening to make them even closer to their former selves.

Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

Who are today’s children? What do they think and what do they manage to grasp of the adult world? To answer these questions, the director Sophie Chiarello decides to follow the pupils of a primary class in a school immersed in a multi-ethnic neighbourhood. For five years with her camera, she lowers her gaze to child height to capture their point of view of the world. The Circle is not a documentary about children, but with children. Disarming and genuine as only they know how to be.

In the hard-boiled world, where will the soft-shelled end up? A cozy kind of extermination is on the stage and keeping a low profile. The decadence around us is nothing less than clandestine annihilation of the civil man. Yet it is carried out so well with a grinning face, it is officially sold as transition. Now that the tamed indulgent is striped off social justice, welfare, even denied the tender love of concentration camps and slavery plantations of past centuries. At least hand them a round of rope They have high expectations from taking things in their own hands. Circle is a peculiar story of an ordinary man caught between an untimely romance and a brave new hostile world.

In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, A Saucerful of Secrets, helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers.

In a dystopian future, with a social context influenced by various pandemics and with a political upheaval triggering reactionary governments, various young people hide on the outskirts of a city after looting a batch of vaccines. While the leaders of the group seek to sell them on the black market, the subjugated try to get their distribution among the marginal population who, like them, are deprived of vaccination. Tensions and discrimination based on sexuality or ethnicity soon arise in the group, reminiscent of past times, and that are the reflection of a society that has regressed. Desire and melancholy will mark characters stunned by a reality that is as fickle as unpredictable.

Police captain Aleshin is investigating a case related to the theft of opium at a chemical factory warehouse. Everything suggests that the offender must be sought among the employees of the enterprise. One of the workers, Frolov, is familiar to Alyoshin in another matter. And although Aleshin is confident in Frolov’s honesty, he suspects something was wrong, seeing how he hides something from him and himself suffers from it. At the dacha, the factory director Vasiltsev killed his stepfather, who turned out to be an unnecessary witness. A trace brings Aleshin to a plant employee, a certain Olga ...

Life changes for a Moscow worker when he's made Stalin's personal film projectionist but cannot tell his bride.

She's back - the lovable little elf who sleeps in a matchbox on the artist's desk: and of course her playmates, too, the comical mouse couple Fredrik and Ingolf. The trio are moving into the city. It's a mjor step for Circleen and the mice, and one which has its pros and cons. The city is a dangerous place, but it also has cute, amusing, cheeky playmates such as Sidse, whose family boasts a pirate, and Hassan's family, who introduce food-loving Ingolf to feta cheese and belly-dancing.

The higher you climb, the deeper you fall. A psycho-drama about a professional mountain climber who's dreams became brutal as Dante's Nine Circles of Inferno. Will he understand the message of Nature?

Yamazaki, a struggling screenwriter, hears a rumor that a strange group of people are living together in the mountains and engaging in dubious sexual rituals, so he goes to investigate. At a waterfall in the mountains, men were having a heated discussion on the topic, "Was Leonardo da Vinci gay?" They are reportedly holding a training camp here to settle a dispute on the internet. The leader, Verrocchio, is confident in the gay theory, but refutes it himself. Young Machiavelli is repulsed by his ideas. Melzi, a passionate believer in science, is worried about the relationship between the two. There was also Sarai, who advocated the Basho gay theory, and Borgia, who tried to verify it from Freud's theory...

Directed by Idit Shehori.

Three girls from different backgrounds dream about being models. Chunchun, Coco, Xiao A, with their own lifestyles lives in a modern city in a southern country. Working hard to make a living in the cracks of the city, in the young modeling industry, behind this seemingly fashionable and gorgeous professional circle, is there so much sadness and helplessness that no one knows about?

A documentary that tells the stories of women, each of whom changes their lives based on the cycle of violence. But these changes are a long and difficult process of self-working. From calling the police, living in a shelter to returning to themselves, women dare to go this way for themselves and their children.

A film about plants and cleaning. The two protagonists are separated not only by distance and age, but also by how they relate to their work, cleaning offices and public toilets. They conquer these spaces and create their own worlds of objects and ideas.

Rapidly flickering circles flash and flutter across the screen, accompanied by various sound effects produced by Yamamoto Satoshi. The movement of the circles was produced as a result of Imai’s action of directly punching a hole in each frame of the film strip and projecting it at the spend of twenty-four frames a second. As each hole was punched randomly without exact measurement, the circles appear and disappear in different parts of the screen, which creates the sensation of a flicker film. This work was screened at the first Sōgetsu Experimental Film Festival in 1967 held at the Sōgetsu Art Center in Tokyo. En demonstrates Imai’s interest in foregrounding the materiality of the film celluloid as the source for moving image, as well as the impact of various sounds on the viewer’s perception of the images.

Ana's loneliness is revealed in a dense and hopeless environment, while another woman wanders Joaquín's mind, watching and intimidating him. Sex will lead them to an uncertain world that will make them disappear in a dreamlike atmosphere.