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Josh’s beloved Grandpa Joe has passed on... and they never even got to say goodbye. So, Josh’s wife, Lori plans to do a séance as part of his upcoming surprise birthday party. Despite a stern warning not to hold such a ritual during a birthday celebration, Lori invites Ina, a spiritual medium, to attend the party and conduct the séance. When family and friends gather in the circle to make contact, long held secrets are revealed as Grandpa Joe leads Josh to the discovery of a Masonic ring hidden in the basement. After a series of supernatural disturbances, the circle congregates one last time to attempt to exorcise the malevolent presence and lay it to rest... but can the door, once opened between our reality and the spiritual realm, ever be closed again?
In an ordinary morning after glass eeling all night, an old fisher finds himself left alone in this desolate world. He wanders around in search of the spiritual trace of his deceased wife, seeking a way out in the endless cycle of the nature and human world.
The residents of a nursing home sneak past security guards to compete in a nationally televised talent contest.
Who are today’s children? What do they think and what do they manage to grasp of the adult world? To answer these questions, the director Sophie Chiarello decides to follow the pupils of a primary class in a school immersed in a multi-ethnic neighbourhood. For five years with her camera, she lowers her gaze to child height to capture their point of view of the world. The Circle is not a documentary about children, but with children. Disarming and genuine as only they know how to be.
In the hard-boiled world, where will the soft-shelled end up? A cozy kind of extermination is on the stage and keeping a low profile. The decadence around us is nothing less than clandestine annihilation of the civil man. Yet it is carried out so well with a grinning face, it is officially sold as transition. Now that the tamed indulgent is striped off social justice, welfare, even denied the tender love of concentration camps and slavery plantations of past centuries. At least hand them a round of rope They have high expectations from taking things in their own hands. Circle is a peculiar story of an ordinary man caught between an untimely romance and a brave new hostile world.
Police captain Aleshin is investigating a case related to the theft of opium at a chemical factory warehouse. Everything suggests that the offender must be sought among the employees of the enterprise. One of the workers, Frolov, is familiar to Alyoshin in another matter. And although Aleshin is confident in Frolov’s honesty, he suspects something was wrong, seeing how he hides something from him and himself suffers from it. At the dacha, the factory director Vasiltsev killed his stepfather, who turned out to be an unnecessary witness. A trace brings Aleshin to a plant employee, a certain Olga ...
It took Kaori Sakagami six years to receive permission for shooting her documentary in a Japanese prison. In a unique project, a limited number of inmates can participate in a therapeutic circle in order to understand the mental and social conditions of their behavior. Even after being released from prison, former inmates are supported by psychologists and social workers. What is remarkable in the process: the inmates learn to support each other and to open up toward the experiences of others.
The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.
Police battle against a gang of blackmailers known as The Crimson Circle.
Double Circle is the original web anime by Toshiba which has the theme of the smart community in Kawasaki. It is the story of the people who live in Kawasaki, and which incorporated the idea of energy, environment, and activation of the regional economy using ICT.
Rapidly flickering circles flash and flutter across the screen, accompanied by various sound effects produced by Yamamoto Satoshi. The movement of the circles was produced as a result of Imai’s action of directly punching a hole in each frame of the film strip and projecting it at the spend of twenty-four frames a second. As each hole was punched randomly without exact measurement, the circles appear and disappear in different parts of the screen, which creates the sensation of a flicker film. This work was screened at the first Sōgetsu Experimental Film Festival in 1967 held at the Sōgetsu Art Center in Tokyo. En demonstrates Imai’s interest in foregrounding the materiality of the film celluloid as the source for moving image, as well as the impact of various sounds on the viewer’s perception of the images.
Ana's loneliness is revealed in a dense and hopeless environment, while another woman wanders Joaquín's mind, watching and intimidating him. Sex will lead them to an uncertain world that will make them disappear in a dreamlike atmosphere.
A look at the urban society of the seventies. The story of Marta a young and pretty girl, who leaves her husband to search for her true identity. She doesn't quite know what she wants, but at least she knows what she's escaping from. Soon she encounters financial difficulties and finds herself involved with shady characters, a situation that leads to a mysterious murder. The net closes around her.
This short film follows a man lost in the woods driven by his fear of the unknown.
The city gives us the chance to grow economically. But not to everyone. The city gives nothing to those who live outside the system. We live behind bars. We think we're free because we are shielded and protected by security system. But we are but a number, a code. Surely there's a way out. A new society awaits, a new being is growing up somewhere in the solar system.
The film is showcasing the discrimination and violence faced by Ezidi Kurds (Yazidis) due to their religion, in a symbolic event which took place between primary school children in Turkish part of Mesopotamia. This fiction film is inspired by true events in the region, performed by 39 local Kurdish children of Hasankeyf villages and shooted in Hasankeyf, an ancient city, which is planned to go under water in 2017 by Ilisu Hydroelectric Dam.
Over and over again, structures of larger contexts can be retrieved in details. They mirror, they contradict, they caricature each other. And again, all human thinking seems to be an enormous utopia within the framework we can hardly adjust. Our physical space is limited, but therein, mental constructions come to improbable proportions. The film connects fragments of memories, thoughts and observations, finding recurrent themes in different graduation. Therefore these fragments become something different, they form their own.