Cinéma De Notre Temps Mosso Mosso Jean Rouch Comme Si

Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...

A fictional documentary on Notre Dame de Paris, produced in 2019.

Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.

With Roland Petit’s cool, cabaret-style choreography and chic costumes by Yves Saint Laurent, Notre-Dame de Paris has been a modern ballet hit ever since its 1965 premiere. Petit’s deft condensation of Victor Hugo’s epic and tragic novel is now renewed by two stars of our own time, Roberto Bolle and Natalia Osipova: a stunning tribute to Petit’s genius after his death in 2011. Recorded live at Teatro alla Scala, Milan, March 2013.

Jesus Franco directs and stars in this cut-copy-and-paste-version of one of his own movies. Here, he plays a mad priest going around killing sinful people in the name of God, all while trying to get a book published.

A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.

"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).

A disturbed priest, who witness an occult ritual, thinks the people are possessed and start a private inquisition to exorcise the demons by torturing them to death.

Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

The gypsy Esmeralda captures the hearts of many men, including those of Captain Phoebus, the poet Pierre Gringoire, the hunchback Quasimodo, and his guardian Archdeacon Frollo. A story of love and desire set against a backdrop of social and class turmoil, the tragic story of Notre Dame de Paris comes to life on screen.

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

A woman goes to Cannes and, lost in its chaos and unable to obtain tickets, ends up watching it on television from her hotel room.