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In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.
Turning Points is a documentary about Presbyterians struggling with the denomination’s previous barriers to ordination for LGBT Presbyterians. It opens with the poignant visit of Susie Smith, now a minister in the United Church of Christ, to her former Presbyterian congregation in South Carolina. Congregation members speak to the camera and to Susie about how their lives were changed by her presence and her departure. The choice between one’s son and one’s church is the focus of the Calhoun family’s story in the second segment. The third story recounts a tragic moment of misunderstanding in the life of a young minister and a daring act of reconciliation twenty years later. The fourth segment considers how a thriving congregation in the Midwest welcomes and includes gay and lesbian members.
Reverend Billy, a.k.a. Bill Talen, is an actor/performance artist and a leading figure within the anti-globalization movement. His work combines the ideas of social and political change with the means of theater arts to counteract our media-laden culture. The film follows the Reverend's "shopping interventions/actions" into cultural dead zones such as Starbucks, Disney and the New York University construction site at Poe House.
Live performance from the post-punk goth band, recorded at the Marquee Club in London in 1984.
A young modern woman goes to church and all hell breaks loose.