Chronique Streaming Avec Sous Titres En Français

During the first confinement of 2020, Rémi, a versatile queer artist, met a young Ivorian, Aboubakar, who was sleeping on the street at Saint-Charles station in Marseille. Finding him rather lively, intelligent and funny, he suggests that he move into his home, a modest 18 m2 studio with a balcony. Rémi doesn't take long to flirt with the young man more and more openly. Will Aboubakar give in to the insistent advances of this man whose sexuality and way of life are in every way different from his?

A chronicle of Raúl Ruiz’s production of Michèle Reverdy’s opera “Médée”.

A short film by Paul & Gaëtan Brizzi.

"Stolen Childhood - Chronicle of Denial" - built on the testimonies of victims, magistrates, psychiatrists, and archives showing the decisive role of television in this matter, the film tells 50 years of society's responses to pedophilia.

At the beginning of the 60's, thousands of Portuguese turned up in France through the underground. They were fleeing misery, war and repression. Left to unscrupulous smugglers, they had to cross the Iberian Peninsula tracked by the Portuguese and Spanish police. For many, the voyage towards France turned into a disaster. As a child in a shantytown, the author remembers having heard about these terrible odysseys. Thirty years later, he goes in search of the stories of his childhood and seeks to understand what sparked this unprecedented emigration known as the "plebiscite by foot" against Salazar. Between childhood memories and historical investigation, he looks for the images of this exodus, the largest in post-war Europe.

A new generation is politicizing the issues surrounding the body, sexuality and gender relations. For two friends, Nina Faure and Yéléna Perret, it starts with an awareness. With a few others, they ask themselves why, in a society that claims that gender equality is already there, access to pleasure is so difficult. They organized discussion groups, discovered Our Bodies, Ourselves, a historical feminist manual that opened new doors of analysis. They met with teachers, educators and sociologists to draw up step by step what would end up being a real plan of attack. More and more involved in the struggles that are taking place everywhere, at the heart of this feminist movement that is sweeping the world, they discover a pleasure that was unsuspected until now, that of pursuing a collective emancipation. The pleasure of abolishing patriarchy, quite simply.

A film about forestry workers in the Bercé forest.

The shooting of this peasant chronicle in the Gruyère region of Switzerland lasted a whole year, from July 1989 to July 1990.

In 1960, nine-year-old Bachir dreamed of becoming the son of a martyr because he had heard that the children of martyrs would obtain everything after independence. He sets up a whole plan to get rid of a certain François, enemy of his country, while his father, Saddek, abandoned him with his mother and brothers. Through this fiction, the film looks at the life and visions of little Algerians during the War of National Liberation. Karim Traïdia looks back on his own childhood during the Algerian war (1945-1962). On a humorous note, it tells the adventures of a young child and his innocent friends against the backdrop of a raging merciless war.

A happily married moustached feminine man started to experience delirium and see delusions. His wife having affair with another guy, maybe she didn't?

With the help of archival images from 11 broadcasts of the Belgian national television, RTBF, from 1977-2003, the widespread use of asbestos in construction in Belgium and the rest of Europe is illustrated. Although many people in important positions in European industry were aware of the risks posed by the use of this material, construction workers learned the truth first hand, many of them falling ill and dying. These were the pre-asbestos years when, for profit, the lie triumphed.

In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.