Chronique

Experimental short film from Robert de Laroche.

During two and a half years, the man didn’t move from the couch of his Geneva apartment. His letterbox was full, his mail was being returned. Electricity had eventually been cut off and the real estate agency was about to evict him. When the police finally forced their way in, they discovered a flat infested by vermin and, in the middle, the decomposed body of Michel Christen, a 53-year-old Swiss man. The investigation that takes place in the film will show that his death occurred 28 months earlier. But the date on the death certificate has to be the one of the day the body was found. That’s the law... How could this man, who had a family and who was being monitored by medical and social services, fall into oblivion in such a way?

An American chronicle weaves together the threads of an aborted cinematic adventure.

Two couples, Chris Bailey and Judith Lazard, along with Paul Adler and Albertine Langlois, meet for dinner on the 9th of July 2006, the night of the Football World Cup Final between France and Italy. Their conversations wander from intimate subjects to substantial political comments in such an intricate manner that their personal lives and their perception of the ideological struggle, the battle for the leadership of the french left, are more and more difficult to differenciate. For six years, their political attitudes evolve with the changing image of themselves and each other.

Alex and Monica make a nice couple in front. However, behind this mask are two troubled paths where emotions are experienced on the surface. During a Sunday walk in Dunham, Alex decides to broadcast the chaos on Facebook Live. When he suddenly gets out of the car, he finds himself alone in a row in the countryside. The more he runs, the more his past catches up with him. Through these intertwined stories, we encounter different aspects of life, from marital problems to family troubles, from ego overload to psychological disorders, from ephemeral love affairs to endless breakups. Is love stronger than a like?

How did the face of 12-year-old Lola become in one week a symbol taken over by the far right on social networks, crossing Europe, from identity demonstrations in France to stadium stands in Serbia? Six months after the murder of the teenager, “La Fabrique du Lie” reveals how in just a few days an operation of influence and manipulation was orchestrated. For the first time, those close to the victim recount how they experienced this political recovery, as a suffering added to the mourning.

Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

On September 26, 1992, four towers in the Val Fourré neighborhood of Mantes-la-Jolie were destroyed. In the spring of 1991, Dominique Cabrera proposed to some of the former residents to retrace their steps. They go through their old dwellings evoking the memories of the past years. All the life of the housing estate resurfaces, convivial, and to say the least, happy.

They call him The Cat. Of humble origins, he earns a living in the world of the night dealing cocaine. To obtain the drug he hypnotizes women and offers rich men the chance to possess them in exchange for a few grammes. But tonight his path will cross that of Diane, a real predator.