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Powerful As God - The Children's Aid Societies of Ontario is a documentary that delves into society's most controversial and secretive topics. The film navigates 'truth' by engaging twenty-six witnesses with diverse experiences into conversation. By facilitating a voice for individuals whose lives have been tragically affected, with observations and recommendations by experts who have worked directly with the agency (such as doctors, social workers and lawyers), the film reveals a child welfare system plagued by systemic and bureaucratic abuse that urgently requires public attention. Financed by tax dollars and wielding extraordinary power, the Children's Aid Society is deconstructed to reveal a broken system where employees have been heard to describe their influence over children and families to be as powerful as god.
Former ice researcher and Orthodox pastor Andrey Voronin is called Ice-Breaker because of his brave opinions. A unique children’s home, whose foster children are now famous in the whole of Russia, was created under his guidance. The pastor thinks that life is a fight and you have to be prepared for it all of the time. This is why, together with the children, he conquers the tops of mountains.
Susanne, a journalist, and Morten, a cellist, desperately want a child, but are unsuccessful. The situation leads to desperate acts, occasional drunkenness, and solace for her with a discreet lover.
Children Who Draw explores the delicate chemistry of school children interacting in an art class through a constant juxtaposition of observational black-and-white portraits of the young children with lyrical passages shot in vivid color exploring their imaginative and expressive paintings. Experimenting with color as an intimate expression of the children’s inner worlds, a tool for deeper psychological investigation, Hani allows his camera to roam freely across the drawings, “de-framing’” and enagaging the artwork in a manner reminiscent of Alain Resnais.
The occasion is “The Cleaner,” a travelling retrospective exhibition of work by Marina Abramović, whose final destination is Belgrade, the artist’s hometown. It contemplates her whole life, including dilemmas from her youth in Belgrade, misguided love affairs and a special kind of loneliness. It centres around re-performance as a phenomenon. Who are re-performers?
In 1945, fifteen million orphans roamed in the debris of a Europe recovering from the deadliest conflict it had ever known. Through recolorized archives, testimonies of survivors and reenactment, our film will relate this obscure and unknown episode of the immediate post-war period, overshadowed by the atrocities of the conflict.
Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.
Three small short stories, each of which was created by one of the famous Czechoslovak filmmakers of children's films: Magdalena, Fraud and Karp.
School teachers responsible for the lives of their students work to evacuate Allied bombings near the end of WWII.
A recording of the 1939 play "Mother Courage and Her Children" for German TV.
This film follows the hardships Lahu girls face as they come down from the hills to enroll at a Chinese primary school. The Chinese students laugh as the Lahu girls who finish last in races and on tests. One girl falls ill, and is sent home; another finds out her mother has run away. The girls' teacher feels frustrated and hopeless; the school principal wishes he had never admitted them. Can the Lahu girls make it in modern-day China? And what price will they have to pay? Do Chinese schools empower or assimilate China's minority children? "Children of Blessing" takes a controversial stance on this ever sensitive question.
Asta fights a daily battle to conceive a child before her biological clock rings out.
In 2014, Daesh took control of Northern Iraq, home to the Yazidi community. They separated families, killing the men and kidnapping the women and girls, who were then “offered” to the jihad fighters. The reporter and filmmaker Pascale Bourgaux tells the story of the children born during this period of captivity, “the bastards of Daesh”, shedding light on this human tragedy.
Children dig for clams on the beach
Isidoor lives with his niece and a housekeeper in a little provincial town. One day he receives a letter: he is to be the heir of a distant and wealthy relative. There is only one condition: he has to go and live for a year in "Home lux et vita", otherwise he will loose his inheritance. The home is a home for abandoned children and now this bachelor becomes the father to 40 children...
A group of children is playing in the garden.
