Children Of The Fall

The arrival of children, as seen through the stories of four different couples, just when a pregnancy comes along and conflicts with their lives. A marital crisis becomes a family tragedy; a mad man's gun forces a young couple to reconsider a premature pregnancy; a long struggle of in-vitro fertilizations brings together and forces apart two sterile women who have shared the same man; and a young Iraqi immigrant, all alone in her apartment, is forced to give birth to her child with the help of her Greek stalker and next door neighbor. The stories unfold within a day and collide in a violent and fatal incident.

Am I French or Chinese? I wander in my identity questions. I face words from media people with words from the children of the 'second generation', trying to see more clearly. I recall France, my France.

Ferdinand Faure, our hero, comes up from Aix-en-Provence to join the Cartoucherie Theatre company along with his pals : Jean-Claude, a brash, self-assured Parisian, and Max, a teacher of American literature, Provencal to the bone, and in love with his flighty wife, Bernadette. At the Cartoucherie, director Ariane is surrounded by a motley crew including one Clémence, who walks the high wire while juggling with clubs.

Hijos de la Guerra ("Children of the War") is a feature-length documentary film about the world's largest and most violent street gang: the Mara Salvatrucha, also known as MS-13. The Federal Bureau of Investigation has declared the MS-13 the fastest growing and most violent street gang in the United States. Through a series of over 80 interviews (including gang members across several countries, the gang's founders, experts and academics) and powerful footage inside jails in El Salvador, gang-infested neighborhoods of Los Angeles, and Salvadoran communities across the East Coast of the United States, the film sheds light on the root personal reasons for gang membership, the ensuing explosion of fratricidal violence as well as the complex role of social and government policy in both containing and aggravating gang proliferation.

“Children of the Street” examines the gritty reality of four children living on the streets of Mexico City. Filmed during September and December of 2001, this dramatic and moving documentary follows Marcos, Erika, Antonio and Juan as they get high, visit their families, and struggle to survive in the world’s largest metropolis.

In Troumaron, an impoverished area of Port-Louis, the capital of Mauritius island, four youngsters tell us about their fight for their survival: Sadiq, the would-be poet, Eve, who prostituted herself as a child to obtain school materials, Clelio filled with his anger against the world, and Savita, 'the good girl' who wants to escape but finds all avenues are closed. Eve has a plan for her and Savita to get away. But it will go terribly awry, and its tragic consequences will lead them into a spiral of violence.

The workshop of painting, modeling and sculpture for children under fifteen, at the Museum of Decorative Arts, rue de Rivoli (1st arrondissement). Pierre Belvès, creator of the workshop, animates the work of the children. A report from the magazine "Chroniques de France", produced for the Ministry of Foreign Affairs for dissemination abroad.

These women were to be born and live in Moscow. They are the children of Muscovites who were repressed in the 30s and 40s of the last century. There are not many of them, only about 1,500 left for the whole country. All their lives, the “children of the GULAG” have been living in exile, although their parents have been officially rehabilitated, and the law guarantees them the right to return to their former place of residence. In 2019, they won the case in the Constitutional Court, but the State Duma is in no hurry to amend the legislation, and the government proposes to stand in the general queue for housing and wait another 30 years. Meanwhile, every month the number of children in the Gulag is decreasing.

The relationships of a businessman with a Japanese company and of his son with women

Two single parents decide to move in together and their two teenage children fall in love.

The love story that "binds" Magaly and Fernando is not the usual kind. Magaly got to know Fernando who was her lawyer while she languished in a Cuban prison. With his help, she managed to escape. A long time went by before they met again, in the Canary Islands. Now, attracted to each other, they make love for sure but they have also found out they hate each other's guts. Probably because Magaly likes to seduce. Fernando of course, but also a lot of others, men and... women!

A group of young immigrants from Soviet Union live in a provincial Israeli town. In their new homeland the only person who follows them closely is the local policeman, family ties are wearing out day by day, and they do everything to mess their lives up, transforming their anxiety to get a new social standing in violence and robbery. Will they be able to build a soccer team and win the local championship? Will sport help them to recover self-esteem and prove to everyone that they are not doomed to live as criminals?

In 1939, after barely escaping the Nazis, a Gypsy family returns to Switzerland only to be torn apart by racial persecution in the benign guise of children's welfare. This fictionalized story of Jana, an eight-year-old Gypsy girl snatched from her parents and consigned to a life of orphanages and bleak foster homes, is based on a little-known chapter of Swiss history: From 1926 to 1972, the state-supported Pro Juventute, a children's aid foundation, forcibly removed some 700 Gypsy children from their families, in order to sever the ties with their culture and assimilate them to a "better way of life." The underlying aim was to preempt a new generation's caravans from following their nomadic traditions along Switzerland's country lanes.

The story of four kids in Afghanistan whose lives changed dramatically after US troops completed their withdrawal and the Taliban swept to power

A routine look at the indominatible spirit of impoverished young boys in Morocco, this drama by Jacques Severac also does not ignore the rather oppressive conditions under which the boys live. In one story, a little fellow has set his heart on buying a sewing machine for his mother. Like the other shoe-shine boys, his goal of saving up money is almost impossible to meet yet after much travail he is finally able to get her a machine. Sadly enough, his triumph is destined to be short-lived when the much-desired sewing machine is broken in an accident. Undaunted, the lad decides the only thing for it is to start again from scratch.

A sociology graduate student researches her doctoral thesis on female crime by interviewing street prostitutes. Shocked by her findings, she offers her own apartment to teenage prostitutes seeking refuge from the streets, many of whom are rejected by their parents and are dependent on their pimps.

After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis.

A primary school class in the Swiss mountains embarks on an adventure to discover the mysteries of the universe, guided by the astrophysicist Stéphanie Juneau.

Having arrived in Berlin for a meeting, the socialist party leader Rafet stays there when the military coup takes place in Turkey and he cannot return. His stay lasted for 25 years. During that period, Rafet has educated four young immigrant children about philosophy, psychology, politics, and arts, and those boys are now in their 30s. Oktay is the aggressive Döner-Cutter/Philosopher; Adem is stubborn, working in a fast-food restaurant; Riza is cold, Frosty, trying to be a taxi driver for 10 years. Kalender is a good father though depressed, who cleans toilets. Their intersection is their commitment to Rafet: he is a father, an idol, or an übermensch, or a troublesome old man. The film aims to document the lives of those characters, each very unique, and the key themes are immigration, loneliness, culture differences, family life, and longing for "heimat".