Children Of The Corn Streaming Avec Sous Titres En Français

A short animated film about Martial Law in the Philippines.

The Muyu Middle School in Muyu, Qingchuan County, Sichuan, collapsed in the 512 Wenchuan earthquake, killing 286 students according to official statistics; but the actual death toll is not just that. The director Pan Jianlin, who has been in the area since the sixth day after the earthquake, uses interviews to contrast the different perspectives and statements of the students who escaped the disaster, the teachers who are afraid of taking responsibility, the parents who are desperate, the government officials who are hiding the facts to maintain the government's image, and the rescue workers who are on the run, creating a ridiculous tragedy that is like a Rashomon.

During the Thirty Years' War, the camp-follower Anna Fierling, called "Mother Courage", travels the length and breadth of Europe with her covered wagon. She does not care if it's Catholics or Protestants she trades with as long as business thrives. She loses her three children as a result of the war: bold and spirited Eilif, sincere and upright Swiss Cheese and mute Katrin, who saves the children of Halle by beating a drum on a farmstead roof In wartime, the Fierling children's virtues prove to be deadly. Yet, Mother Courage, remains incorrigible. She will not have anyone "spoil the war" for her and so sets out once more after the soldiers with her wagon.

The children living in a Philippines ghetto grow up too fast, dealing with the cruel world where they have to be responsible for their own lives. But they have bright, innocent and good dreams in their hearts. The reality on the streets of capitalism is, however, too harsh to hold on to these dreams.

These tales for children under three years of Eugène Ionesco are illustrated by drawings of children. The presence of the storyteller is preponderant on the screen. The images of his aged face filmed in close-up create a strange atmosphere.

This is a film that shows portraits of three children who lived in Sarajevo during the siege. Through their stories the film tries to give a picture of youngsters who live in the war for three and a half years and their efforts to overcome the trauma. The stories are seemingly separate, but the thread that connects them is a three-year-old boy who on his tricycle constantly wanders the streets of Sarajevo, passing everywhere and always seeing everything. He takes us from one child to another, opening up before us a picture of the bizarre life of children in Sarajevo.

Documentary film by the Danish TV channel DR about sexual abuse and suicide in Tasiilaq, Southeastern Greenland.

The film takes place in Greenland and tells us two parallel stories about two boys, one from the start of the 20th century and the other from the 21st century.

Four Ikpeng children introduce us to life in their village. They show their families, their toys, and their celebrations with grace and lightheartedness. We meet the characters that make up their everyday world - from baby chickens to the village chief - and we see the children helping with chores, learning to hunt, going to school and playing games. Often comparing and contrasting themselves to earlier generations, they are aware of their cultural heritage and how it has changed since their grandparents' time. Engaging and candid, the Ikpeng children are full of curiosity and ask that people of other cultures send their own video-letters.

The film deals with the fate of children who, together with their parents, were imprisoned in the Teharje camp near Celje. In June 1945, they were separated from their parents and taken to the Petricek children's camp, and their parents killed and buried in unknown places without trial. Inside the camp, the guards try to rip out the old children's identity with various overhauling measures and to enforce them a new identity. Children lost their parents and childhood, and got wounded so deeply, they have not healed even until today.

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

A little girl ponders: do wolves eat children? And if they eat, how?

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

Children learn through play in Irish Montessori schools in the 1970s, accompanied by voiceover explaining the Montessori method and jaunty jazz flute. The three schools featured in Páistí ag Obair are Tigh na nÓg, Blessington; St Kieran’s School, Bray; and The Children’s House, Stilllorgan. Oscar Nominee: Best Documentary Short, 1974

After Lithuania regains independence from USSR, 'children of Freedom' sails the world. The yacht was their best friend and a prison at the same time, carrying them across the ocean waves, trying to figure out - what is freedom after all?

Through the director's own experiences, the film deals with Norwegian child protection services and casts a critical eye on how their protection is governed by an enormous rule of law.

During the war, children, along with adults, worked in the fields and factories, shouldering household chores on their fragile shoulders. Many of them died from disease and lack of food. There was a severe famine, people were swollen from malnutrition, and in order not to die, they ate grass cakes and porridge with sawdust. "Everything for the front, everything for victory!" it was the slogan of the time. Despite the difficulties, they did not lose heart, worked hard and believed in victory over fascism.

The wife dies and leaves behind three children and their father. The maid begins to set her nets on him, until she marries him after her divorce from her first husband. The maid dies and the daughter is accused, and at the last minute the real killer is revealed, who is the maid’s brother.

The two video segments, "Meizhou" and "Dongshankou," are sporadic records of the hardships faced by the Zhang Qing family. I have titled them "Children of God," praying that God watches over them, as Zhang Qing wished, for they are all God's children.