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This is a story about the mysterious world of anti-utopian future where each human-being's fallen asleep and replaced himself by robots. Unusual robot is destined to find output - he is seeking answers to his disturbing dreams...
An ethnographic documentary about the forgotten part of Iran.
December 1956. The region by the Tisza is evacuated because of a threatening flooding. Laci, Karcsi and Péter leave their home on the lorry
In 1963 a documentary film, Children Without Love [Dětí bez lásky], was smuggled out of Communist Czechoslovakia to the Venice Biennale film festival – and was screened in cinemas at home, surreptitiously tagged onto the end of a Miloš Forman film. It showed emotionally distressed young children looked after for long hours in state crèches, many from the first weeks of infancy. A collaboration between filmmaker Kurt Goldberger, child psychiatrists, a crèche headmistress and a reformist journalist, the film eventually led to a change in the law, with the Communist Party committing to extend paid maternity leave for women, reversing the state’s ideological prioritising of collective child-rearing and full female employment.
Mr. Kanamori, a teacher of a 4th grade class, teaches his students not only how to be students, but how to live. He gives them lessons on teamwork, community, the importance of openness, how to cope, and the harm caused by bullying.
A family of Lumad keeps their eldest daughter's 'adhikain' (aspirations) by immortalizing her into a myth, blurring the line between reality and folklore.
A little girl manages to escape the horrors of the Holocaust. Decades later she is confronted by a group of Neo Nazis, and history repeats itself. Based on a true story.
In the imagination of a small person, everyday life turns into a fairy tale. But, in this amazing country, the baby is often lonely. And only a mother - along a thin thread of love - can enter this wonderful world...
A miniature movie, kids inhabit the landscape and communicate through the river, the sky, the air.
Darío Aguirre moved from Ecuador to Germany to be with Stephanie, but from the very first day there was a third party in their relationship:the government. They issued him ten visas in fifteen years. A long trail of papers, stamps, permits, and restrictions connected Darío to Germany while also keeping him at a distance. Then one fine day the mayor of Hamburg invites Darío to become a German citizen. A confession of love? Darío responds with a tender, ironic road movie that traces his intertwined journey from the country of his fathers to the country of his children.
The film is the personal story of three generations: the (late) grandmother, the father and the daughter, who is directing the film. It focuses on the trans-generational transfer of traumatic experiences. It's a spiritual road movie through deep and diffuse layers of feelings resulting from historical transformations in north-eastern Europe.
A deeply personal film from award-winning filmmaker Jobie Weetaluktuk about the Inuit experience of residential school. The purpose of the early educational system in the Arctic, as with other aboriginal populations, was assimilation – “to take the Eskimo out of the child”. In 2008, Prime Minister Stephen Harper made an official apology in the House of Commons to former students of aboriginal residential schools – but can the pain ever be erased? Drawing upon archival footage, old photographs, and songs, Kakalakkuvik recounts the vivid memories of students from Port Harrison (now Inukjuak, Québec), the first group of Inuit to sue the federal government for compensation.
A man falsely recognize two teenagers and one child as his own children in order to avoid jail so his life becomes more and more chaotic.
The 95-year-old director shot the film in his hometown of Ishiuchi, Hiroshima. The story is based on a teacher he had when he was a child.
One of the few surviving documentaries about Jewish life in Poland before World War II, this film was produced to raise funds for the Vladimir Medem Sanitarium, an institution that stood as the embodiment of health and enlightenment, in striking contrast to the grim images of urban Polish-Jewish poverty.
Three thematically related novels. The first is "Mother, father and me". The adults have hard time answering the kid's questions. Young Yulian sees that his parents are arguing. He cannot explain how his dad left the home, since his nightshirt and bed are there. The parents send Yulian to his grandpa at the village. The kid has a lot of fun, there are animals - pig, cock, turkey and he is playing all day. The grandpa dies. When Yulian goes home, he gets lost. Her mother accidentally meets him and embraces him crying. Second novel is "School". Three friends Yulian, Rumen and Hristo use small ceramic tiles for a game of marbles. Where to find them?
'A Ballad for dead children' is a tribute to Andrés Caicedo and Cali and it's group, as the seed of a cinematographic phenomenon, but it goes one step further. Testimonies and fragment readings compose, together with a very powerful archive material, the story of a story that has a deep sense and cinematographic interest: the story of Andrés and his eternal fascination with horror literature and cinema b, the of the boy who was born to write, that of the young man who decided to mock death by planning his own ending. A film that tries to maintain the difficult balance on the fine line that separates and unites the two: man and work, work and man, in an eternal and indissoluble way.