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Music video for the song Yuki to Kodomo by Kyoko Ito that was featured on NHK's Minna no Uta program.
An ambiental interpreter, a glaciologist, a biologist and a upper indigenous mountain guide, talk about the relationship they have since childhood with the six existing snowpeaks in Colombia: Cocuy and Santa Marta's snowy mountain rage and Ruiz, Santa Isabel, Huila and Tolima's snowy volcanos.
Based on the story by V.G. Korolenko “In a Bad Society.”
Since the 1940s, the Basque community in Venezuela maintained the Basque government in exile through its contributions and was very active in denouncing Franco's dictatorship, running countless propaganda campaigns. The PNV (Basque Nationalist Party), the main figure in this struggle, made this film — a testimony of the Basque resistance to Franco's regime.
Lam Siu-ming cannot afford tuition and quitted school. His teacher Ms. Chui intercedes with the principal in vain. She quits. Chui became an orphanage director. She suffers from the orphans’ mischief, but she treats them with love and honesty instead of punishing them. She gets recognition from kids and colleagues. Siu-ming is expelled. He dares not go home and lives on pickpocketing with street boys. Chui learns that Siu-ming is missing and looks for him. Siu-ming feels ashamed and avoids her. Chui finds Siu-ming and takes him and the street boys to the orphanage, yet they cannot be disciplined and escape. Little Bully runs after them, but is beaten down on the railway. Siu-ming's legs are cut off by the train when he tries to save Little Bully. The escaped kids regret for this. Chui's cousin wants her to go abroad together, but at the farewell party, he is moved by the orphans, so he does not force the plan, and decides to stay behind to serve the kids.
The story tells about the bad luck of Mustafa, a farmer who is attacked along his trip to the souk while he was going to sell a cow and a chicken. He swears to give the money from the sale of these animals to the poor if he ever manages to get out of it, but does not keep his promise. The wrath of God will be unleashed upon him.
On October 24th, a concert named "Yellow River Ballad—Wild Children Band 20th Anniversary Concert," organized by Shu Music, will be held at the Workers' Gymnasium in Beijing. It will feature an extravagant lineup of folk music's golden generation, including Wan Xiaoli, Xiaohe, Zhou Yunpeng, Wu Tun, Hu Defu, and the "King of Chinese Rock Stage," Xie Tianxiao, taking turns to witness and participate in this extraordinary musical event. In addition to Beijing, the Wild Children Band's 20th-anniversary concert will also take place on a grand stage in Shanghai. However, the significance of the Wild Children band within the folk music community over the past twenty years far exceeds the significance of this performance.
The series is designed to draw the attention of the audience to one of the urgent problems of society — orphanhood. "There are no other people's children," these words, like the leitmotif of the series, pulsate in every frame.
An original video featuring four short horror stories, aimed at children.
An original video featuring four short horror stories, aimed at children.
The true story of 10-year-old Wiesio, one of a thousand Polish children who were saved from the hell of World War II by an Indian Maharaja, Jam Saheb Digvijaysinhji.
Grandfather Frost's grandson Morozik helps organize a holiday on the New Year.
This film is documents the struggles of Mr. Jean-Lucien Bussa, an idealistic member of the National Assembly, who routinely confronts his own conflicting incentives of service to others and service to his own needs. When does patronage end and corruption begin?
Revival of the original 2000 musical based on the immortal tragedy written by William Shakespeare about two young star-crossed lovers.
In 1945, fifteen million orphans roamed in the debris of a Europe recovering from the deadliest conflict it had ever known. Through recolorized archives, testimonies of survivors and reenactment, our film will relate this obscure and unknown episode of the immediate post-war period, overshadowed by the atrocities of the conflict.
On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
Documentary about the rock and roll scene of Vrnjačka Banja, a small tourist town in Serbia.
1942, Great Patriotic War. Thousands of orphaned children evacuated from besieged Leningrad and other cities found shelter and care in Uzbek families and orphanages.