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In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii's illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family

Laurence is 30 years old, has a loving husband and an exciting job. But her happiness is not complete because, despite numerous attempts, she is unable to have a child. Weakened by a miscarriage, her hope is reborn the day she meets Edith, a former nurse who has developed a personal method of care based on energy control. Thanks to Edith, Laurence regains her health and finally becomes pregnant. But there is a price to pay.

A Chinese couple visits the daughter they gave up for adoption 30 years ago.

Set on the small island of Porto Buio, the traditional live Christmas Nativity scene might not go ahead because the baby who’s always played Jesus has grown up and no new babies have been born on the island in years! With this fundamental tradition on the line, newly elected Mayor Cecco (Claudio Bisio) wants to ask the local Tunisian community to “borrow” one of their children, but there’s conflict between the two communities. Cecco enlists the help of local Islam convert Bilal (Alessandro Gassman) to cross the cultural divide… but both communities are not sure what to make of a baby Jesus that may need his nationality, and even his religion changed!

Lucie Audibert, a student of Art History, does research work on Watteau and is certain that a hidden sense that nobody has ever deciphered can be found in a few of his paintings. The further she explores this the more Professor Jean Dussart - for unclear reasons - tries to discourage her.

Two detectives are hired to discover if a rich industrialist is having an affair. The detectives pose as a gay butler and as a female cook in order to spy on all of the happenings within the house.

Why english bro?

Some Say No is a new Italian comedy with a very serious subject: the way the country's society is corroded by favoritism that pushes inferior people to the top in virtually every field. In Florence, three thirty-somethings band together to wage their own war on the system. Each of them is a person of talent who has been pushed out by "favorites" or raccomandati, people who have muscled in on the promotions they ought to have gotten by pulling strings.

Scattered memories of years spent in my village, where friendships, proletarian daily life, wandering and flat fields are celebrated in a poetic and political journey.

Michel lives alone with his daughter Marie. Today, their monotonous life turns to drama.

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

Anatole, quivering nostrils and greedy lips, is the resourceful clerk of Mrs. Paufilat, a butcher. It takes a fancy to take on the identity of the Paufilat son, Paul. He must then undergo the assaults of the tumultuous Germaine, exhilarated by the money of Paul Paufilat.

Can high school friendships last a lifetime? One thing's for sure: before long, Aurore, Nours, Jeanne, Diane and the others will say goodbye to their boarding rooms, swimming in the Drôme and parties in the mountains. Louison will cut his dreads and the little family will break up. For some of them, it's not the first time, and it hurts even more...