Call Me By Your Maid

A gigolo makes the mistake of getting involved with the local triad leader's girlfriend. She makes the mistake of falling in love.

Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

Jesus Franco, also known as Jess Franco, was one of the most important names in "B" cinema worldwide. With more than 200 works and a wide and peculiar use of pseudonyms, his work remains difficult to catalog, which makes it more exciting if it fits. Through a series of interviews with Franco, "Llámale Jess Redux" brings the spectator closer to the sadist, esoteric and erotic world of the director, as refined as rogue. This new version of "Llámale Jess" (2000), considered the reference documentary on Franco, and directed by Carles Prats and Manel Mayol, incorporates new unpublished statements by the irreducible Madrid filmmaker, as well as paying homage to his muse and companion, Lina Romay , Incorporating his active presence to the story.

Documentary film about Reies Tijerina, a forgotten leader of the chicano movement.

Two drunken friends ponder on traveling back to the past when an unexpected traveler suddenly ask them for help.

Alguén me chamou Serpe Negra explores the tortuous path that memories and dreams take in our mind. Thanks to the texture of analogue hand-painted animation, the film is an invitation to an oneiric universe made of loose connections and revised spatial dimensions. Filmmaker Borja Santomé Rodríguez takes us with him on a journey made of images that play with love and adventure, childhood curiosities and adult desires, and in which the ultimate reward is to get lost.

In the 70s, Amanda Lear was a disco queen, pop icon, model and world star. She enchanted Paco Rabanne, Andy Warhol, Bryan Ferry and David Bowie. She lived with Salvador Dalí and went out with Brian Jones of the Rolling Stones. A born performer, with legendary mystique and charm, she kept her true self hidden behind numerous faces. From Bowie to Berlusconi, from London to Paris: the story of Amanda Lear is also a story of the second half of the 20th century.

From Brussels to São Paulo, letters are sent to someone who never answers them and may not even receive them. With the streets collapsing and the police sirens ringing incessantly, a cry for help.

A man leaves his quiet life in the country to become a comic entertainer in the Big City. His journey is a Surreal celebration of the descent into a Hell of narcissistic self-destruction. In a string of events ranging from antisocial transgression to racist provocation to fantastic flights of absurdity, our protagonist loses grasp of his humanity and bit by bit slips into complete animal degradation. A comedy.

Being a mother is not easy and, most of the time,women keep the responsibility of take care of their children.Clarice,Walkiria and Darlene talk about their challenges and their joy of being a single mother in contemporary society.

Betty Boop, a nursemaid, meets a masher in the park; with the Bouncing Ball, Ethel Merman sings the title song.

"στείλε όταν φτάσεις" (call me when you get home) is a short film exploring the concept of grief and its impacts, seen through a portrait of a house.

Shoko's life, marked by delinquency and a harsh upbringing, takes an unexpected turn when Tetsuya's devoted affection and the soulful strains of his "sho"—a traditional Japanese gagaku wind instrument—offer her a melody of hope and a chance for reform.