Ca Film Vf

A gang of several girls who operate as pickpockets in a busy and popular tourist area of Hong Kong preys on men who are attracted by their beauty.

During their first coast to coast tour in over two years, live electronic legends STS9 played to an electric crowd in Oakland's historic Fox Theater. The first set roared with long-time fan favorites like "Arigato", "T.W.E.L.V.E" and "Warrior," while the second set saw STS9 take the stage joined by a three piece horn section. The crowd erupted with excitement during powerful covers of Jamiroqaui's "Revolution 1993" and Daft Punk's "End Titles," and the energy stayed high while the horns stayed on stage for STS9 originals "Be Nice" and "Firewall". For the encore, STS9 performed a perfectly balanced blend of old and new with "By the Morning Sun" and "Scheme". Whether you're a longtime fan or a newcomer, STS9’s live show is a unique adventure of light and sound you won't want to miss!

Storied electronic rock heroes STS9 rounded out their fourth consecutive night in California with a massive live show at the Hollywood Palladium. The boys maintained extremely high energy throughout the show, picking up right where they left off in Oakland the night before. The first set was dominated by tried and true bangers "Hidden Hand, Hidden Fist" "Abcees" and "EHM," while the second was highlighted with newer tracks like "MOD", "March" and "Vapors" that are quickly becoming fan favorites. A jaw dropping "Glogli" was followed later in the set by the classic multi-layered jazz/funk crescendo “Aimlessly.” STS9 brought their Californian run to a close with an encore of the beautiful, inspiring "Circus" followed by the dance party known as "Moon Socket." With stunning lights and bone-shaking beats, STS9 earn the loyalty of their devoted fans night after night, show after epic show!

The first of five farewell concerts by the 4 remaining members of the Grateful Dead performed on June 27, 2015 in Santa Clara, CA. SET 1: Tuning, Trucking', Uncle John's Band, Alligator, Cumberland Blues, Born Cross-Eyed, Cream Puff War, and Viola Lee Blues. SET 2: Tuning, Cryptical, Envelopment, Dark Star, Saint Stephen, The Eleven, Turn On Your Love Light, Drums-Space, What's Become Of The Baby, The Other One, Morning Dew, and Casey Jones.

This short snippet of silent 8 mm film was filmed by Ingrid Oppermann in West-Berlin, possibly close to her apartment in Kurfürstenstraße, where Harun Farocki’s The Words of the Chairman (1967) was shot. The snow that is reflected in the shop window indicates that it must have been the Winter of 1969/70.

A love story between a musician and a politician spanning many years.

Kearra Amaya Gopee’s docu-fictional short Ca(r)milla considers the revisionist potential that lies within folkloric myth. For Gopee, myth is a storytelling mechanism teeming with possibility––it’s an oratory approach that invites us to reimagine our histories and rewrite our lineages in the face of coloniality. In Ca(r)milla, Gopee annotates the parable of the soucouyant, a blood-craving, vampiric figure typically rendered as an undesirable older woman in Trinidadian legends. https://thekitchen.org/on-screen/ca-r-milla/

PHISH, SATURDAY 07/28/2018 THE FORUM Inglewood, CA SET 1: Julius, Suzy Greenberg > Timber (Jerry The Mule), Soul Shakedown Party, Kill Devil Falls, 555, Your Pet Cat, Tide Turns, No Men In No Man's Land > Bathtub Gin SET 2: Gotta Jibboo > Fuego > Birds of a Feather > Meatstick > Soul Planet > Wingsuit > Cavern ENCORE: Sparkle > Character Zero

Set 1: Not Fade Away(The Crickets cover) (>) Shakedown Street(Grateful Dead cover) Cold Rain and Snow(Obray Ramsey cover) Ramble On Rose(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) New Speedway Boogie(Grateful Dead cover) Wharf Rat(Grateful Dead cover) Don't Ease Me In(Henry Thomas cover) Set 2: China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) He's Gone(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Fire on the Mountain(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with a tease of the theme… more ) Space(Grateful Dead cover) (> “Dark Star on the Big… more ) Standing on the Moon(Grateful Dead cover) (>) Casey Jones(Grateful Dead cover) U.S. Blues(Grateful Dead cover) Knockin' on Heaven's Door(Bob Dylan cover)

Eddie Constantine stars as a reporter mixed up in the spy world in this routine espionage actioner by first-time director Pierre Grasset. After taking some illicit photos for a new story he is working on, Eddie (Constantine) is coerced into doing a job for the French Secret Service. There is a mole in the French missile sites who is passing on classified information, and Eddie is enlisted as bait to draw the culprit -- or culprits -- out. Along the way, he finds himself running for his life, fighting, and romancing until the final denouement.

FBI agent John Lewis travels in Europe, from Paris to Lisbon, trying to locate a disappeared fellow secret-agent, Mark Lemoine. Soon he has trouble with a violant gang, and is involved with a young French reporter, Michèle Laurent. Finally, the chief of the Secret Service tells Lewis that Lemoine never existed. Instead of ending his mission there, the real trouble starts.

The film presents a series of portraits of women working in traditional male jobs in the transport industry: the SNCF, the RATP, Air France and Air Inter, and at Paris airports. Each woman talks about her professional choice, her training, what responsibilities she holds, where she fits within the company, and her work relationships. They all underline the need to be organised to manage personal and professional lives, and the growing number of women who choose these jobs. They are on the whole positive and their views often inspiring.