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A man and an ape are seated at the same table – both wearing suits. The monkey lights the man’s cigarette, pours wine for them both, and they proceed to play cards before it is time for the ape to turn in for the night.
An evil monkey, Specter, has escaped a circus, using a mindcontroling device, in which allows him to become smarter, and have access to controling the monkeys. Kakeru is called over by professor in order to capture all the monkeys, including the one's who's controling over them: Specter.
“The sound is the ape of the light”, wrote Jesuit Father Athanasius Kircher. Can the laws of optics be transposed to the world of sound? Can one see the sound? Through relationships between image and sound, voice and music, noise and performance, the film “The Ape of Light” shows a series of actions freely inspired from lesson-books and treatises on acoustics.
Feó learns that his deceased father was a creator of a martial art based on ballet, before being killed by his arch-enemy Frankódragó. So it's up to Feó to learn the art of ballet and avenge his father.
A balding man drinks a whole bottle of hair tonic. The unexpected surplus of hair promises a successful showbiz career for him and his wife.
Jim Gaffigan has made a career out of finding the extraordinary in the ordinary with his hilarious observational style. In his 6th special, he uses humor to deal with the unthinkable & proves that laughter is the best medicine…or is it?
A scientist is turned into an ape man.
An English colonel's daughter meets the lord of the jungle who makes her his mate.
A surgeon transplants the heart of an ape into his ailing son with horrific results.
Dr. Bernard Adrian is a kindly scientist who seeks to cure a young woman's polio. He needs human spinal fluid to complete the formula for his experimental serum. Meanwhile, a vicious circus ape has broken out of its cage, and is terrorizing the townspeople. Can there be a connection?
A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.
For Millions of years, our planet has been floating in space. Millions of creatures have lived on its surface. Many a quaint being was among them, but they affected only our, human imagination, for in the evolutionary struggle we are the only ones who have obtained the advantage of reason.
Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.
Among the many famous 16th-century samurai who made the leap from myth and ukiyo-e to early cinema screen was sword-master Miyamoto Musashi, previously depicted in prints by Kiniyoshi Yoshitoshi and others slaying an array of grotesque creatures including giant bats, giant lizards, and the mythical tengu. This imagery informed his first screen depiction in Miyamoto Musashi Taiji No Ba, which showed him combatting the mythic white ape of the mountains.