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Lila, grows up in the high-rises of the Marolles in Brussels. Along with her sister and her friends, she dreams of becoming a dancer and revolutionising the world of hip-hop. While her friends stay in Brussels, Lila leaves everything - comfort, family - behind to go to Paris, where she is certain her persistence will pay off. Except that life in Paris quickly takes an unexpected turn. The woman who dreamed of being a choreographer ends up as a lap dancer in a rap video, and that’s only the beginning of her disillusionment. After a chance meeting with a drama teacher, she bears her heart and soul on stage and begins doing stand-up. This time, her unusual dedication leads her to find her calling. However, she still has to fight one final battle: convincing her father that she has made the right choice.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

A bungling robber steals and resells for next to nothing a seemingly worthless piece of art that had 50 00$ belonging to a member of the Marseillaise Mafia hidden its framework. Dressed as a priest in an effort to hide from the dangerous threats, he is then mistaken by two police officers for Claude Laurin, a police investigator who they think is undercover.

A beautiful, self-centered young woman's life turns upside down when she suddenly "loses her clitoris" (i.e. her ability to have an orgasm).

L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.

A young woman travels to Moscow, speaking with the people she meets of the region's recent past.

Pierre Renard is the blackboy of the writer George Vallier. At the time of a reception, the Italian actor Aldo Barazutti takes him for the writer and proposes to him to come to work with him in Tunisia with the development of a scenario. In fact Barazutti wants only to flee her wife to find her mistress Valerie. Misunderstandings when Vallier joined them. They must flee in the desert a jealous husband...

A small-scale cabaret troupe is touring the provinces. One afternoon while canoeing, Monique Darzel, one of the troupe's singers, spots an angler whose resemblance to Fernand Raynaud strikes her. She discusses this with Jean Duroc, the troupe's director, who laments the meagre revenues his show is raking in. He then had the idea of meeting this fisherman to convince him to imitate Fernand Raynaud in his shows. It turns out that the Fernand Raynaud impersonator is in fact Fernand Raynaud himself, who has come for a week's incognito vacation in the provinces. Raynaud is finally persuaded to play the novice comedian, in order to further develop the script for his next film, Les cabotins à travers les âges.

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

Cambo, a banker, has been in trouble since a certain Parizot has tried to extort stocks from him. Following the advice of his friend Quincampoix, Cambo decides to trade places with Bardac, a painter, who happens to be his lookalike. Bardac slips into Cambo's shoes with delight although he does not really live up to his task. But Cambo, who manages to ruin Parizot, makes a 100% profit on the situation. There are of course some misunderstandings when one man is mistaken for the other, notably as concerns Lulu and Geneviève, respectively Bardac's and Cambo's sweethearts, but things finally return to their initial state.

How to talk about History, the big one and the small one, ours and that of each of us? Watching television, browsing the Internet, rummaging through the stock of world archives? Or more simply, going back to our own images that built us?

Bobby Guibert and Pat Duvallon are the best of friends. They are also big party animals. Honorine, Bobby's aunt, is outraged by her nephew's bad behavior, all the more as it is with her money that the young man paints the city red, always accompanied by Pat. She then decides to send them both to the West Indies, where she owns a sugar-cane plantation, in the hope that far from temptation they will reform. Once there, the two revelers come up with nothing better than - swap identities, which will be the cause of a series of cheerful misunderstandings. Everything will end not in one, but several marriages.

Windows open and close on other windows. In sleep, spaces and times embrace each other. A pinhole dream within a dream. I sleep on a carpet that becomes a forest.