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In Santiago, Andrés Barros is a partner at an up-and-coming law firm. He's getting married, and his friends, including his law partner Roberto, arrange a bachelor party where he spends the night with a prostitute, Gloria. She later shows up at his office and the passion continues, against his better judgment. Soon, Andrés is entangled in sex, lies, videotape, and blackmail. His relationship with Rosario, his fiancée, is strained, he neglects his work, and there's a dead body in a bathtub. A pimp, a whore, a doorman, a receptionist: where are the decent people?
Scenes of daily life in the Indian communities of Ecuador.
A tired young man sits on the train for a long journey from Oslo to Lillehammer. His fellow passengers are very friendly and will gladly help him to sleep. The young man however wants as little attention as possible.
A documentary covering the 1960 Winter Olympic Games in Squaw Valley, California.
A musician whose career never took off decides one day to start a real career as an artist.
The last public bath in the city of Turin where everybody can take a shower: a microcosm of our society where stories and conflicts flow as water on bodies.
Cuba, pueblo armado was shot by Joris Ivens in 1961 and illustrates the Cuban people's determination to defend the revolution. To make this film, Ivens and his crew followed a military brigade which consisted of volunteers.
Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.
A simple, religious Hungarian woodcutter lives with his wife and boy child with a small community of squatters among the peaceful mountains of Transylvania until a lumber company claims their land and forces them all to become company workers or else leave the land. This 1942 Hungarian film takes a detailed and unflinching look at the hardships of mountain living, and the realistic approach proved influential to the Neorealist movement in Italian cinema. Hungarian master director Istvan Szots won the Biennale Cup at the Venice Film Festival for his auspicious debut, but the film was banned by the Nazis as "too Catholic" and not publicly exhibited until after World War II.
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
Ernestina is a small town of 150 people whose peculiar inhabitants are deeply concerned by the acts of vandalism perpetrated by the people who go bathe in the river. They decide to hire private security. What is really going on in Ernestina? A suspenseful, humorous and endearing documentary about the dynamics of these small-town people.
The first years of industrialisation. Disguised as a hunter, an ex-White officer Poloz, who is connected to the international intelligence, is hiding in the forest where the construction of a new power station has begun. An intern making photos of the buildings suddenly notices Poloz. Frightened to be exposed, Poloz kills the guy and makes a cut in the base of the scaffolding of the main building of the power station. In face of a failure, counting on his ex-wife Katia’s help, Poloz kidnaps a 10-year-old boy. Hrai, an engineer and the father of the kidnapped boy, finds Poloz’s hiding place in the forest, and his assistant Varrava shoots the White officer at that very moment when he tries to explode the main building of the power station. The film is lost.
Two generations of cinematographers — fathers and children — in search of a new common language: in life, on the screen, on the set...
A trip to Hakone shooting training at Tokyo Senmon Gakko, 1984.
October 2014. Ouagadougou, the capital of Burkina Faso, is the scene of an unarmed uprising that ousts the dictator in power since 1987 and later staves off an attempted coup. In 2015, the country votes freely for the first time in its history, yet real change remains allusive, especially regarding ongoing economic exploitation by foreign companies. In one year of struggle and resistance, the film follows the daily life of four Burkinabes: a musician and leader of the revolution, a local political candidate, a miner engaged in the labor movement, and an impoverished mother, all sharing hopes that the elections will change the country’s path.
The story of the Udege tribe, lost for centuries and on the verge of extinction, the most dangerous footage of hunting for bears and wild boars, as well as local rituals.
One of the most ingenious documentaries of a period not at all devoid of fanciful and provocative attempts in the history of the "Alexandru Sahia" studio.
A People’s Radio – Ballads from a Wooded Country is a carnivalesque portrayal of the Finnish landscape of the soul and abode. The short film is based on the iconic YLE programme “People’s Radio”, and its visual material has been created by the road movie method of driving across summery Finland. The film paints a panorama of what Finland looks like today. Its narration progresses through humour into civic anarchy, ultimately also towards the longing for human connection.