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Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.
A loosely chronological visual “scrapbook” marking the 25th anniversary of the death of Luis Buñuel.
The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.
Based on unpublished interviews with the family, Jean-Claude Carrière, his writer and biographer, family archives, mini-fictions that dramatize the memories evoked and in constant echo with the upcoming films whose images seem to crystallize over the narrative, we wish to reinterpret Luis Buñuel's work through these decisive years, revealing hidden coherence, originality and beauty.
Spain, 1932. Spanish filmmaker Luis Buñuel travels to the region of Las Hurdes, in Extremadura, where he shoots his third film, a very critical and later controversial documentary about the living conditions of the poor peasants, abandoned and forgotten by the national authorities.