Butterf

‘Body’ is an object we are all familiar with. For British sculptor Anthony Gormley, it is a medium for expressing thoughts about space, while for young female artist Wang Ying, it is a potential vehicle for expressing emotions. This documentary uses a split-screen method to create a three-dimensional space like a "body". It not only explores the artistic concept and development of Wang Ying, a female artist born in the 1990s who studied in the UK but also completed it on this basis. The documentary creator (me) thinks about her and her body, from'meeting','seeing' to'existence'

In a hotel room, three gorgeous women and a senator with strange habits.

The stages that a caterpillar goes through, from larvae to chrysalis, to become a butterfly.

This early silent era film was released in France circa 1908 by Segundo de Chomón. It is partially hand coloured and shows several Japanese characters and eventually a worm change into a butterfly which while flapping it's wings changes colours as it flies.

Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.

A journey. A cardboard camera and an unfinished love story. In his obsession to catch the time, love and beauty, Victor never completed his ambitious project. Now, some children, from their open infant eyes, try to get with that footage the director's ambition that could not reach: catch life.

Nocturnal Butterflies is Servais' serene and melancholic homage to Belgian surrealist Paul Delvaux (1897-1994), whose architectural paintings serve as the basis for the mise-en-scène for the film, and whose opaquely gazed women represent the enigmatic, silent witnesses who guard the secrets of the eccentric artist's curious world of precisely rendered, hermetic construction.

A policeman with a violent past meets a small boy with whom he undertakes a fantastic journey.

After the Revolution, gays were not respected in Cuba, but in the small Havana neighborhood of La Güinera, a few courageous women came to power and encouraged the gay community. Glamorous gowns fashioned from grain sacks and eyelashes made out of carbon paper are the reality of drag in Cuba. In La Güinera, gay transvestite performers have earned respect and status through creative work for the neighbourhood. On stage action and backstage preparation opens out into insightful interviews with community leaders, families, and the performers themselves. the question; can you be gay and accepted in Cuba?

In a mysterious forest, a woman is slowly lured into a nostalgic daydream as she observes butterflies.

Plot Unknown.

This brief and creative documentary is probably closest to, in the Polish film tradition, the style of Wojciech Wiszniewski. Performances by a human-butterfly became fodder here to express the dialectic of our collective and individual history. After the thesis and antithesis there must come the synthesis. Will it be the same in life as in the film?

Now threatened with extinction, the last populations have entrenched themselves in Romania, where the more traditional agriculture and the diversified landscapes give a glimpse of the nature of yesteryear in Central Europe. Like a road movie, filmmaker Jan Haft goes in search of the small daytime butterfly with golden reflections whose survival depends on the rich variety of its ecosystem.

Tensions abound in the relationships featured in the three episodes which make up the film - that between two young children and their stepfather, a cripple setting off alone on a pilgrimage without the company of his fellow villagers, and a teacher returning to his remote village and finding himself the subject of unrealistic expectations of the other villagers.

The Unlucky Butterfly. A early Japanese animation short.

A spectator, who is a puppet, applauds the magic tricks of the butterfly woman, with whom he is in love. Under the force of his applause, the strings holding him in place give way. Thus free, he runs to the butterfly woman in the hope of conquering her and freeing her from her fate.

Lau Leung-wah plays the titled character, a Chinese Robin Hood who robs the rich to help the poor. She is an early Republican Era Mulan, who switches effortlessly between charming gentility and agile ferocity, and Lau personifies her character's duality with a balance of grace and vigour. Chang Cheh, on the verge of fostering seismic changes in cinema with his martial-arts machismo, pens a script that captures the spirit of changing Chinese womanhood, underscored by a conflict between Black Butterfly and her father, a veteran detective.

Butterfly, a faithful Japanese wife, waits patiently in Nagasaki for the return of her American husband, Pinkerton. She sees the Stars and Stripes fluttering atop an approaching ship and rightly surmises that Pinkerton is onboard. However, the feckless foreigner is arriving in the company of his "real" Caucasian wife, causing the heartbroken Butterfly to commit suicide. This masterpiece of Japanese silhouette animation makes the best of its source material.

Three women contend with the weighty repercussions of a fraught medical decision, in this heart-rending Welsh drama. Sara is a fetal consultant who takes on her best friend, Elin, as a patient. But when Elin experiences complications, the midwife raises questions that put Sara's career at risk and her personal life under unbearable strain.

A little girl working as a carnival dancer is given a gift of a caterpillar as a joke. She spares the caterpillar's life, and becomes the Queen of the Butterflies. The film combines live-action sequences starring the director's daughter Jeanne (aka Nina Star) with puppet animation. Full of special effects, as with Starevich's previous films he used deceased insects as the protagonists of the film.