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Bring Me the Head of Light Entertainment is a game show that aired on Channel 5 from 3 April 1997 to 1 November 2000. It was originally hosted by Graham Norton, then it was hosted by Sean Cullen.
Composer H.K. Gruber collaborates with director Barrie Gavin on a commissioned short film to commemorate the 200th anniversary of the death of Mozart. Gods create Man, Music and Mozart.
In their film Bring Me The Head of Henri Chrétien!, Billy Roisz and Dieter Kovačič explore the world of cinematic formats based on the genre that experimented with and exploited the width of the screen to display spectacular landscapes: Western movies.
Folks are busy at the production offices of Mort Downey Jr.'s talk show. A warehouse worker is preparing manifests for shipping. He needs the sign off of the producer, a voluble woman who's talking non-stop on the phone to someone named Harry. She signs the manifest without looking up as she talks about sexual surrogates, a woman crushed to death by her fat lover, and a fist fight on Geraldo Rivera's show. "Thank goodness he's been taking boxing lessons," she says. She's interrupted by the arrival of a uniformed woman with a nose ring. The woman opens a paper bag she's carrying and hands the producer what's inside. The horror is only beginning...
Filmmaker Lee Donaldson takes a poignant journey down memory lane with his acclaimed artist father Antony Donaldson about his art, the artwork, and the monumental task of producing a colossal mask of Alfred Hitchcock made from 18 tonnes of solid steel for Gainsborough Studios apartments in London where Hitchcock made his earlier works.
If your life flashed before your eyes, would it be worth watching?
It is nearly a generation since we've visited Dobie Gillis, and the middle-aged Dobie is nothing like he was as a youth, having has sown all of his wild oats. He's settled into the predictable adult life, married to the reliable Zelda (who was chasing him all through high-school), and assumed his father's role of running the family variety store. All of a sudden, key industries in the town shut down, putting hundreds out of work and severely threatening the local economy. Dobie, as head of the town council, is looked upon to lead the town out of this desperate crisis. When all seems lost, life-long friend Maynard G. Krebs appears, representing an old acquaintance who has a strange demand.
A boy finds himself lonely and seeks ways to end this feeling.
Almost everyone in a contemporary society is picked up and moved by someone or something like a ‘Sugoroku’. The first one which picks up is ‘Parents’. A hero grows up along a ‘Sugoroku’. This work describes. . . the process of his growth as he depends on his parents. . . One day he decides to cut off his relationship with his family.
Bring Me the Horizon > April 6, 2019
What do volunteer firefighting, Dalmatia, Jože Potrebuješ and denial of one’s true self have in common? This is a film which tells nothing new… A film about Slovenian popular music, the only genre that can live off its consumers’ approval alone; no subsidies, whining and advertising. What happens after music critics and art theorists go to bed? What happens when radio editors stop pretending that mainstream music in Slovenia is in sync with that at global level? What happens when students quit the act of being urban and progressive, surrendering themselves to their newly discovered roots? What happens is Slovenian Popular Music.
An animation short film about male-female relations through the gesture of giving flowers. A man steals flowers. His appetite grows as he steals more. We follow him as he picks the flowers of different women. From a thief who is sensitive to the gaze of passersby, the man's gaze becomes more intrusive, Penetrating homes and intimate spaces. Finally he collects flowers from the whole city and makes a bouquet as a gesture for a woman.
BBC's Coverage of Bring Me The Horizon at the 2015 Reading + Leeds Festival
A deadly epidemic has claimed several lives in a remote village in Assam. The villagers are convinced of foul play. For several years, there have been attempts by the authorities to get the villagers displaced in order to use their lands for setting up factories but they have been offering a firm resistance, despite industrial wastes from a neighbouring industrial area affecting their fields. They are being led by a woman in her late 50s, Ayesha. Ayesha’s husband joined the insurgency in Assam several years ago and never returned. Despite him being gone for more than 3 decades, Ayesha hopes he’ll return one day. She promised to look after his village people in his absence. Ayesha, herself suffering from the disease, lives in a state where her memories and dreams are as real as her present. It’s as if she’s living different stages of her life simultaneously.