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Gracinda, a young laundry washer, lives with her godfather, "Uncle" Jacinto, and together they run a family business, doing the laundry for residents of Lisbon in their small village in the outskirts of that city (Canecas). Unfortunately, the business is not going very well, but that changes when Gracinda decides to go to the city to try to convince Chico, "Uncle" Jacinto's son, with whom she is in love, to return to the village and give new life to the business. The village is preparing for the annual festivities and a dispute erupts between "Uncle" Jacinto and his business rival , the widow Quiteria, when each of them invites different bands to play at the same time during the party and dances
Pointing out the importance of maintaining a playful spirit, which we all have when we are kids and society forces us to abandon in our adult lives, Drops of Joy is a documentary that speaks widely about the idea that playing is something very serious and urgent.
The legend of the Dama Branca has haunted a thousand minds. And maybe taken more lives. On a creepy night, three women on the road get in an argument about something silly. Just then, they bring their car to a screeching stop. The lady in white appears - bloody, messy and with a purpose. Our friends don't say friends anymore when an entity takes over us. Just watch and cringe.
A group of people dance at a sports ground to the music of Supertramp. The siblings take flowers to a grave in the deep snow, wearing floral wreaths in their hair. The father directs them. They embrace one another. Memories are invoked by pictures enclosed inside Gabriel's, the brother's, amulet. The mother is dead how will they fill the void she left behind? Each individual family member tries to find their way, is obliged to redefine their course.
Follows the creation of a stage play adaptation of "Moby Dick".
Filmed with the same camera and the film stock remains of Douro, Faina Fluvial, portrays the inauguration of the hydroelectric power plant of Ermal, owned by Manoel de Oliveira's father.
Together, Natalia and Catarina find the chords of a song that can break down a wall.
In 1958, the polemic Brazilian artist Flávio de Carvalho joined an expedition to the rainforest to shoot his first feature film. Danger, romance and quarrels in the jungle and the production had to be interrupted. The White Goddess employs rare and original archival images to recreate this journey.
Memories of the Brazilian slavery past overflow into ethereal landscapes and harrowing noises. Through a visual poetic essay, an intimate and sensory journey reflects on the silencing and invisibility of black people in diaspora.
During a unpleasant date, a bartender narrates the situation from afar, which escalates to the point of absurdity.
What remains for me is to promote my own ruin. Aware of inevitable loneliness, the incarnation of cruelty.
