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Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
Abe has secretly been living in his woodland home, which he shields by scaring off ids, happily together with Bruno, a mountain gorilla he saved from zoo captivity. When Abe gets cardiac problems, Bruno seeks help in town, but scares the hell out of everyone. Sheriff Kilgore's posse tracks the ape all the way to their home, just in time to save Abe. Bruno however remains a 'dangerous fugitive'.