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A document of a drag show at Los Angeles' Queen Mary nightclub.
Two teenagers Marco and Lyuda are helping border guards to catch a spy.
A horizontal big-wall adventure with the Wide Boyz Tom Randall and Pete Whittaker as they take on the longest, most ridiculous crack climb ever attempted.
Explore hidden desires on a sleepover, fall in love with the handyman and be seduced by a stranger on the beach as you discover why Love Is the Drug. Boys On Film 17 includes nine complete films: Nicholas Colia's "Alex And The Handyman" starring Keaton Nigel Cooke, Aaron Profumo, and Hogan Gorman; Dawid Ullgren's "Mr. Sugar Daddy" starring Bengt C.W. Carlsson and Aleksandar Gajic; Brendon McDonall's "Spoilers" starring James Peake and Tom Mumford; André D. Chambers's "Tellin' Dad" starring Carl Loughlin, Ricky Tomlinson, and Michael Byron; Eyal Resh's "Boys" starring Wyatt Griswold and Pearce Joza; Martin Edralin's "Hole" starring Ken Harrower and Sebastian Deery; Lorelei Pepi's animated "Happy & Gay"; André Santos and Marco Leão's "Pedro" starring Filipe Abreu and Rita Durão; and Anthony Schatteman's "Kiss Me Softly" starring Ezra Fieremans, Marijke Pinoy, and Marc Van Eeghem.
Keisuke, 15-year-old junior-high school boy, has been forced to live as refugees with his family in temporary housing apart from a hometown as a result of the Great East Japan Earthquake.In 2012, he belongs to a broadcasting club of his junior-high, to which he has to be admitted for the earthquake. He spends time with some fellows of a club. But all equipment to make their works of it has been washed away by the tsunami. He decides to give up his filmmaking in this summer, which will be the last time of his junior-high days to make a work.But one day a man who lives in a small village in Heilongjiang, China donates the equipment for filmmaking to Keisuke's school. Also Keisuke, his fellows and his teacher have been invited by him to shoot a film in China. And they are travelling to shoot around the boundless Chinese land.
Youth In Trouble is the ninth edition to Boys On Film, the world's most successful short film series. This compilation features eight complete films: Bretten Hannam's "Deep End" starring Bailey Maughan, Gharrett Patrick Paon, and Denis Theriault; Caru Alves de Souza's "Family Affair" starring Cláudia Assunção, Kauê Telloli, and Ney Piacentini; James Cook's "Together" starring Lucas Hansen, Ben Owora, and Stuart Evans; Carlos Montero's "Easy Money" starring Mario Casas, Ales Furundarena, and Christian Mulas; Grant Scicluna's "The Wilding" starring Reef Ireland, Luke Mullins, and Shannon Glowacki; Dee Rees's "Colonial Gods" starring Cornell John and Said Mohamed; Benjamin Parent's "It's Not a Cowboy Movie" starring Malivaï Yakou, Finnegan Oldfield, and Garance Marillier; and Stéphane Riethauser's "Prora" starring Tom Gramenz and Swen Gippa.
The Boys' Village was once a village-style holiday camp located in West Aberthaw, on the south coast of Wales. Built in the 1920s as a holiday home for Welsh coalminers' sons, boasting a pool, sports yards and even a chapel of its own. Not much remains of its former glory, though. Shattered glass and debris are all over the place; graffiti on the walls. There are countless trap falls and opportunities for injury. A parent's nightmare, it can be heaven on earth for a certain kind of child. It more or less is for Kevin. He has been eleven years old for quite some time now. Has it been years or decades?
The Brown Boys spend their weekends drinking, partying and chasing girls. Peter the Player, Kiligi the Bad Influence, Magele the Tough Guy, Luka the Drunken Master, Siaki the Weird Guy and Mickey the Baby - they are family by blood and by choice. When one of the boys expresses a desire to settle down, it causes reactions among the group that could rupture their bonds of friendship and family forever.
Trailer Boys follows the journey of Muhammad Irfan Rafieh, a key member of Abam2 Trailer Singapura, which is a community of heavy vehicle drivers from Singapore. Truck drivers are mostly seen as uneducated and unskilled compared to the rest of society, especially in fast-paced competitive Singapore. This film explores how young truck drivers in Singapore such as Irfan find ways to break stereotypes and improve how society perceives them through their day to day work and their trailer club.