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The sexually masochistic yakuza boss, Yashiro, isn't the type to warm up to others easily. But when Chikara Doumeki, his newly hired bodyguard, catches his interest, he reconsiders his "hands-off" policy with subordinates. As Yashiro's invitations fail, the yakuza boss finds out his bodyguard has a very personal reason for staying at arm's length.
This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.
The story follows a group of birds on a journey where they try to find a better life for themselves and the ones they love.
Manu travels to Murcia to spend the summer with their grandparents because their parents are getting divorced. Surrounded by gardens, sea, nature, and lush, warm family, Manu find his first love and the first signs of adulthood.
A meditative journey through the shifting landscape of emotion and the hypnotic quality of our desires. Set to music by Citizen Cope and filmed entirely unscripted, Bird in Hand is an exploration of a young man's struggle to let go of unfulfilled dreams to make way for life's possibilities. Stunning sequences from the streets of San Francisco to the lush greenery of Louisiana give way to artful portrayals from an ensemble cast.
The chase continues between Tweety Bird and that persistant puddy tat, Sylvester. Tweety hides in a millinery store (where Granny happens to be shopping) and hides on a hat.
While some people need to be surrounded by friends to be happy, Carmen (Mercedes Sampietro) is perfectly content by herself, pursuing her vocation as an art restorer. But her bubble of isolation is punctured when she becomes the survivor of a violent assault. Shaken by the incident, Carmen decides she needs a break from it all. So begins a soul-searching journey that takes Carmen back to her hometown in southern Spain, where she contemplates the joys and sorrows of her past.
Vanessa, a television reporter covering a story of a farmer attacked by his chickens, discovers that this is not an isolated incident. Travelling to Spain with her cameraman Peter, the two discover the survivors of a town wiped out by the birds thirty years ago. Meanwhile, attacks continue as a child's birthday party ends in tragedy and doves devour a poultry farmer and his wife. Vanessa soon comes to the conclusion that the birds are organizing themselves against the ecological ravages of man, but time is running out as thousands of birds launch an attack against a train Vanessa is traveling on.
