Beginning In The Beginning Poets Prophets Preachers, Streaming avec sous-titres en Français, beginning in the || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Japanese war-era film
This is the story of a deaf photographer who has always chosen to see rather than hear. He encounters “song”, and explores it, marries his deaf partner and fathers a hearing child. One day, a lullaby slips through his lips and his life is changed forever.
Ben and Gwen are playing picture bingo and Ben is losing, so he transforms into XLR8 to spot things that are on his card by the road they are driving on.
The film is a cabaret style, satirical montage of the political events and everydays
In a restaurant, a plate of "Salad Shirazi" (traditional Iranian salad) is served with meat. (Which is not a part of the original salad Shirazi). Three guys at their table discuss whether to eat the salad or not
Twenty-five years after the death of actress Talia Shapira, her son begins a journey to retrace her life. He combs through the vast belongings his mother left behind – diaries, stories, films, audio tapes – as he peels his memories layer by layer, finally arriving at the most significant moment in their relationship: Talia’s last days. Seventeen chapters of observation constitute an abstract and emotional mosaic, an intense investigation into the essence and meaning of a dialogue between mother and son – a dialogue that transcends words and time. The unique way in which the director has chosen to describe this process of deciphering his mother’s life poignantly conveys both the need as well as the inherent difficulities to connect incidental moments of our lives into meaningful stories.
After a big fire, the small factory director elected by the masses establishes a brand new enterprise on the ruins.
Tour of Piedras Negras and Ciudad Juárez, the most important gateways that Mexico has towards the United States, this tape is a record of a border line that marks the differences between one country and another.
Musician Robert Sand is released from prison in April 1933, after serving five years for manslaughter. Disappointed not to find his wife Marie waiting for him outside the prison gates, he heads into the city. At the same time, Marie makes her way in the other direction. For one portentous day, they look for each other in the noisy city of Berlin. Doubt, mistrust, and jealousy begin to germinate in Robert’s mind.
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It's New Year's Eve in Medarcos, a small town in the mountains of Madrid, inhospitable and frozen. Roma is 9 years old and her favorite place is the lap of her father, Rodolfo. But the atmosphere is rarefied after her mother has decided not to spend the holidays with her father's family. When Roma dresses up as a boy to sing in the middle of the family celebration, she discovers her father's intolerance. Nothing will be the same.
Set in a fictional town in northern Russia, where highly classified research in magic occurs, the novel is a satire of Soviet scientific research institutes, complete with an inept administration, a dishonest, show-horse professor, and numerous equipment failures. It offers an idealistic view of the scientific work ethic, as reflected in the title which suggests that the scientists' weekends are nonexistent. (Wikipedia)
Long has two sons. His adopted son Fei helps him run his tiny store that sells charcoal grilled egg puffs. His own son Ho was a hairstylist and is now a not-so-successful financial practitioner. Ho hates egg puffs and wants to sell the shop under the stairs. Fei doesn’t want Ho to get his wish while Long only wants to pass on his trade. With conflicting agendas, father and sons soon became estranged from one another. When Long suddenly dies of a heart attack, the sons decide to throw in the towel. Different accounts from their father’s customers enabled the brothers to become re-acquainted with the father they didn’t really know and get a new perspective on life.
In her most recent film, Linda Kallistová Jablonská observes three girls growing up in a residential facility in Počátky, Czech Republic, over the course of ten years. She explores their dreams about liberty, the reality they must face as well as their ideas about their own future families. The sequel to her first longitudinal documentary about Adéla, Denisa and Pavla captures the rocky road to independence after leaving the facility, their reconciliation with the past, job search, new relationships, small joys and big disappointments. Not only does the director draw an empathic portrait of three young girls with no-one to rely on but themselves; she also explores the ways in which public institutions form young people’s attitudes to life.
A documentary that seeks to map the current scenario of Brazilian horror cinema to answer the following question: what's so appealing about working with the genre and producing some of our biggest nightmares?
Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.
Director: unknown | Production Country: The Netherlands/United States | Year: 1924 | Production Company: Universal | FLM6081 | Film from the collection of EYE (Amsterdam)
Alexander Kluge reflects on Eadweard Muybridge's work and the first modern Olympics.
Danzan, a young man from Malin, will work in the brigade headed by Banzragch who came to lay a communication line in one of Khanga's villages.