Beethoven 2 Streaming

Kyung-Wha Chung performs Beethoven's violin concerto in this live recording with the Royal Concertgebouw Orchestra conducted by Klaus Tennstedt

Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.

Documentary on the master composer, from a GDR point of view.

Classical music doesn’t exactly have a reputation for being hip. For too long it’s been seen as a stuffy genre for the high cultured elite. WHAT WOULD BEETHOVEN DO? follows a number of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntablists and orchestras together. Notable artists such as, Bobby McFerrin, Benjamin Zander and Eric Whitacre add their voices to the debate about why classical music is still relevant today.

Symphonien Nos. 1 - 9 Gundula Janowitz · Christa Ludwig · Jess Thomas · Walter Berry Chor der Deutschen Oper Berlin Berliner Philharmoniker Herbert von Karajan Directed by: Arne Arnbom, Herbert von Karajan Hugo Niebeling, Hans Joachim Scholz

Leonard Bernstein conducts three symphonies by Ludwig van Beethoven: Symphony no. 3 in E flat major, op 55 ('Eroica'), Symphony no. 4 in B flat major, op 60 and Symphony no. 5 in C minor, op 67, all performed by Wiener Philharmoniker in Vienna in 1977-8.

These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.

Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.

Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.

Herbert von Karajan conducts the Berlin Philharmonic Orchestra in these 3 great Beethoven symphonies. Gundula Janowitz, Christa Ludwig, Jess Thomas and Walter Berry are featured vocal soloists with the Choir of the Berlin Opera in the 9th Symphony.