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In his Mangwon-dong basement art studio, a media artist Song Hojun dreams of making a satellite and shooting it out to space. He wants to make his dream real through OSSI(Open Source Satellite Initiative) movement. He tries to build a BIY satellite, and to sell 10,000 T-shirts for the 100 million won budget. His seemingly reckless and utterly ambitious project begins. Would his dream become real?
Tokyo Olympiad director Kon Ichikawa documents the 50th anniversary of the Koshien games.
One of Japan's most renowned baseball pros, Takenori Emoto of the Hanshin Tigers, relates humorous anecdotes from his own career and the game in general. Based on his novel of the same name and its sequel.
“While striking various poses around his apartment, [Haindl] addresses an imaginary public, his speeches ranging from defiant to contrite. Each one shows a different side of his personality, from political grumbler to poet in a slouch hat. His monologues deal with the usual prejudices, such as those against women and foreigners, and none of them can be reduced to a single coherent point of view. Commonplaces are qualified with contradictions and self-irony, and his tirades occasionally swerve in the direction of serious analysis. The state of pandemonium which characterizes the Austrian soul is depicted as a labyrinth of rhetoric.” –Dominik Kamalzadeh
Two young boys form a friendship within the walls of a Chinese factory but are soon forced to recognize their differences in societal class.
At the baseball club of Yame Kita High School in the southern part of Fukuoka Prefecture, fierce competition for positions was always fought. In the qualifying that led to the spring selection tournament (Koshien), the team was beginning to get jerky due to the unexpected defeat. At that time, the main players such as Ace are ordered by the director to go to the drama club. Repulsive players. However, there is a memory of the sad scars of the unexpected seniors.
This is a propaganda film made after the establishment of the wartime total mobilization system. The film includes various war efforts, including Gyeongseong Prefectural Association's offering of airplanes; prisoners' contribution of heavy machine guns; the inauguration of the Joseon Youth League for war support; a ceremony to celebrate the fall of Wuhan; a Chinese consul's visit to the Joseon Shrine; visits from Italian and Mongolian delegations to Joseon; and encouragement of bond purchases. The narration at the end is recorded in Korean in a heroic tone. The narration encourages everyone to faithfully pursue his or her livelihood, accelerate the implementation of national policies, and achieve the 'purpose of the Holy War.' It is the only extant film of the ‘news films in Korean language” produced by the Japanese Government-General of Joseon during the Japanese colonial period. Acquired in 1994.
Informally known as Baseco Compound, Port Area in Manila is the biggest urban poor community in the Philippines. Children living in the Baseco compound are left behind in abject poverty without proper care and education. WMC, the missionary community led by Shin Seung-cheol, goes to Baseco Compound and provide warm food and medical care while teaching children skills like baking. This documentary features their journey of hope and compassion.
The 4th installment of the popular series "Kishiwada Shonen Gurentai". This time, the popular comedy duo Cocorico has been selected as the lead, and idol Hiroko Anzai has been selected as Madonna. In 1970, the boy Gus is uninterested in the fact that Ryuji, a fair-skinned and meek transfer student to the next class, becomes popular with the girls. One day, Ji-yan from Liichi forms a grass baseball team, and Gus, who is not good at baseball, becomes a member. Gus finds out that Ryuji, who is sickly, is also secretly practicing baseball, and starts practicing with him.
Eden and Hyunho, brother and sister, have now lived in hiding in the mountains for three years to avoid all EMFs: electromagnetic frequencies. They reside deep in South Korea's last forest standing- the last EMF safe area. The two move ‘homes’ every day; they dig a burrow in the ground, set up an EMF shielding tent, and cover it with soil and branches to disguise it. The older sister Eden believes that her younger brother Hyunho suffers from EMF sensitivity. However, Hyunho himself believes otherwise: that his condition has nothing to do with it. Hyunho misses the city life. Hyunho decides to go off course and goes down to the city, to a highway service station. He experiences an excruciating headache and faints. Eden carries Hyunho back to the forest, sets up a tent in a safe place, lies his younger brother down, then sneaks into a nearby village to steal medicine from a pharmacy. On her way back to the woods, Eden is confronted by tall standing, never-ending, peculiar looking lights.
Fourteen year old Elias longs for his first kiss. He attends his first party and everything seems to be going well with the girl of his dreams when the night suddenly takes an unexpected turn.
A vibrant celebration of the enduring spirit of the 68 movement in Mexico, despite its tragic ending with the state sponsored massacre of hundreds of innocent people in Tlateloco.
We begin with a fragmented portrait of Činča, between the stories she tells and the thoughts of those surrounding her. In The Head, a girl is confronted with the possibility of dying. Intermezzo focusses on the moments of abstraction amid the hustle and bustle of a city. In Our Stock Exchange, unemployed people seek work. Second Floor, Basement shows us a hospital where only two floors separate birth and death.