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Actor Ahn Jae-mo, of iconic TV drama "Rustic Period" fame, revives his beloved character from the show through a newly created YouTube channel.
Chilean women in prison have limited communication with their family—no visits, not even a conversation behind glass. Mothers sometimes spend years separated from their children, whom they have had to leave at home. This VR experience is the result of a project that gave a handful of these women the chance at least to have virtual contact with their loved ones.
In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.
We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.
An office thriller about a salesman for a liquor distribution company and how he makes wrong choices for a better life.
While dealing with the harassing public, the Goseigers face a new enemy along with old revived foes.
After Zerina's father gets assassinated for knowing too much, the mob starts going after her as well. The only person that can save her now is her long lost grandfather coming back from Germany.
A man returns to his hometown. As a teenager he and some friends had shot horror films in the family house. A few images remain of these films, of his parents, of himself. The town is still the same today. The ghosts of Mamanville are there, drifting by; perhaps they will finally make their escape.
Japanese pink film from 1987
The first film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the events of Vasyl Stus's life from birth to the beginning of the 70s. It contains interviews with his mother Iryna Stus, comrade Vasyl Shymanskyi, Roman Korohodskyi, Vyacheslav Chornovil, Mykhailyna Kotsyubynska, Marharyta Dovhan and others, photos from the times school and institute studies, army service, postgraduate study at the Institute of Literature, fragments from letters and essays.
This film is an art film, which seems to have been created as a conglomerate of Yossini's numerous previous works. A project that has already been tackled several times. At the same time, the film takes the viewer on a journey into his own future. What conclusion will emerge from this journey? Yossini will recognize it in each of you.
Poetic, experimental animated short directed by one of the greatest Estonian cartoonists Priit Pärn.
Marc Levin returns to Little Rock, Arkansas to examine how things have changed in the small town's gang banging scene.
In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?
Chinese movie
Joty ter Kulve grew up in the house where the historic Linggajati agreement was concluded in 1946. She experienced the Second World War in Indonesia, was imprisoned in camps and left for the Netherlands after the war. Now she returns, perhaps for the last time, to the place where she grew up. The young documentary maker Twan Spierts accompanied Joty to that historic place, where the first step was taken towards the independence of the Dutch East Indies. The documentary was previously broadcast on Omroep West.
A group of talented young men with fanciful notions form a film studio. However, after years of bad business, caught between lost ideals and reality, they decide to condescend to the market and make a kitschy action movie in the Hollywood fashion. In the meanwhile, every one of them attempt to find their own reflections in the filming process, therefore creating a pandemonium of contesting creativities both inside and outside the film they are making.