Back In The Day

It is spring and grandma Margara teaches her four grandchildren how to plant in little flowerpots. Three of them decide to fly away from the family patio they live in and go out to discover the world. Years pass, grandma gets older and those who left are present, in their own way... but never like the ones that stayed. Distance might not bring a return and people can come back or not. But spring, yes, spring will always come back.

We learn about arbitrary rule under the dictatorship, the torture, the ill-treatment in prison and the plight of the Tupamaro hostages, told in the words of former political prisoners, psychologists and family members who had their lives turned upside down in a raid, or who suffered the anguish of searching for someone who had been “disappeared”.

With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...

Hong Kong movie

The Big Bad Wolf is back, and firmly intends to resume his usual behaviour. He is disillusioned when he comes upon Little Red Riding Hood, on her way to her Grandmother's, with a tray of cakes. "Things change, you know!", she exclaims. This is indeed what he finds out when he meets Grandma and the gamekeeper.

An adaptation of the Icelandic ghost story of "The Deacon of Dark River", set in 1970s France.

Une petite fille envoie un ballon avec plein de dessins à sa maman qui est au ciel...

In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.

An old potter despairs of having only two daughters and no son, hoping his apprentice will one day bring him an heir. The apprentice meets the eldest daughter but is disgusted by her. He decides to marry the younger daughter, who is in love with another man.

He has a beautiful house and Farang. He has a dream and the reality and love that sustains the house.

Rabiul Alam is a corrupt engineer. He is struggling to maintain his relationship with his wife and girlfriend. For this he bought a ready-made flat as a gift to his girlfriend. His problem comes when he gets stuck in the elevator of his newly purchased apartment.

A tortured man is annihilated ever since the disappearance of his loved one. To cope with this intolerable loss, he becomes capable of anything. He seeks in others what will fill the absence in his heart in order to recreate a lost love.

When the clock hits 12 midnight, a sinister event unfolds.

Back then they ate my eyes and I can't tell what happened.

Story of a healing process of sámi woman who has post-traumatic stress disorder caused by sexual violence.

In the early 2000s, the nightclub Monastery was the place to be and where the dance the “Mono” (or the "Monastery") originated, which the Riverfront times called it the "Best Dance Craze" in 2002. In this lively documentary we look at how the Monastery changed the history of St. Louis music and dance culture.

Multiple formats.

Chilean women in prison have limited communication with their family—no visits, not even a conversation behind glass. Mothers sometimes spend years separated from their children, whom they have had to leave at home. This VR experience is the result of a project that gave a handful of these women the chance at least to have virtual contact with their loved ones.

Actor Ahn Jae-mo, of iconic TV drama "Rustic Period" fame, revives his beloved character from the show through a newly created YouTube channel.