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A Filipino action-drama directed by Lupita Aquino-Kashiwahara.
During the transitional period from COVID-19 to the new normal, a filmmaker exchanges visual conversations with 9 other filmmakers in a day through zoom video chats. The result is a screen recordings representation of the collective consciousness and the emotional state during that period, experimented with the idea of available resources during limited times. It is a one-day visual diary of 10 individuals before entering back to the new normal world tomorrow. This film has been supported by an ARTivism grant awarded by Global Platform Myanmar, ActionAid Myanmar.
While a mother is in intensive care with little hope of survival, her son is on another continent without the possibility of seeing her. Combining subconscious memories of his mother in induced coma with images of his constant house moves all the while, the director composes an essay-letter on death, family and distance.
The university exercise film and a rare portrait of Soviet underground subculture in its variety. There are hippies, metallists, Bulgakov house squatters, footage from illegal art festival Love Street organised by Sergei Solmi. Featuring performances by Moscow alternative bands such as "Звуки Му", "Николай Коперник" and "Облачный край".
In an attempt to verify the hypothesis that her Aromanian grandfathers were photographed by the famous brothers Milton and Ianaki Manakia, the director embarks on a Balkans journey through Romania, Bulgaria, Macedonia and Greece.
An examination of the making of the landmark Irish film "Mise Éire" (1959) and the political and national context of its release.
Sabina dreamed of an ideal place to live away from civilization. To find him, she leaves the parental home and goes with her husband Sergei and one-year-old Yaseya to Altai. The road turns into a nightmare of daily quarrels: Sabina does not want to help with the child, clean up and cook, and Sergei gets tired of endless scandals. Against the background of growing irritation with each other, Sabina's dreams are increasingly detached from reality. And yet, the journey continues.
When I heard the radio broadcast about a missing 15-year-old boy, I realized that I was dressing exactly the same as that boy according to the announcement. It gave me a mixed feeling that on the one hand, I was wondering why this young boy had gone missing while on the other hand, I felt that somehow I became the one that people were looking for because of the clothes. The weird anxiety that the absence of me might cover the real absence of the boy fulfilled me the whole time till I got back home, and the video of this work was taken within that time. The sounds were recorded from the original broadcast.
Postwoman Mrs Skorepa, her husband the ambulance driver Mr Skorepa and their eleven-year-old twins Petr and Pavel live in Prague in Malá Strana (Lesser Town), one of the Prague's historical and oldest quarters. The boys are crazy about cars and everything linked to them. They don't share their father's love of classical music. On the other hand, they are crazy about the newly announced scrap yard competition for paper collection. The lottery tickets awarded for every ten kilograms of old paper collected could win them a go-kart.
A man is driving home late at night when he suddenly feels uncomfortable and needs to use the restroom. He pulls over to the side of the road, attends to his business, and returns to his car, only to find someone unknown sitting inside.
A man playing the song from the title is interrupted by the arrival of a helicopter.
Gamekeeper Temirkhan finds a cheetah wounded by poachers. Thanks to the boundless love for animals, patience and perseverance of Temirkhan and his grandson Ali, the cheetah survives and returns to a free life in its native environment.
Set in a post-war period in a small central coastal village with extremely harsh nature, the film revolves around Luy. After returning from the war, he was assigned as Commune Secretary. However, his wife is now married to Son, a soldier of the Republic of Vietnam regime. Luy has to fulfill his responsibilities and duties, while also having to deal with his own life, his wife, her new husband and their children.
Wasko analyses the relationship between space, sound (the microphone), and image (the camera). In this film/performance, the viewer becomes an active participant of the projection by making it possible to translocate sound from the visible space to the invisible space, and back.
