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This documentary takes us back to the events surrounding 1958 when the University Organic Law was passed. We hear the testimony of three university teachers who took part in the debates and the student activism at that time: the experiences of people who were young “back then”, the cultural context of the period and the connection between the students and the worker's movement.
I lost my passion for filmmaking after becoming a film major. However, I regain my passion by meeting my peers and a film director and listening to their stories.
plot is unknown
Cheung framed Chan For. Chan orders his wife not to tell this to their children, Ah Lan and Hung. His wife passes away. On her deathbed, she asked a neighbour, To Chung-man, to take care of her children. Claiming to be a good friend of their father, Chan For moves in to the bed next to Ah Lan to take care of his children. Hung likes this uncle because he always treats him generously. But Ah Lan finds "Uncle For" weird and enthusiastic. Ah Lan is forced to pay her mother's debt. Hung is suffering from acute appendicitis. To solve Ah Lan's financial problem, Chung-man returns to his rich family and accept an arranged marriage. Ah Lan decides to sell herself to the construction site foreman for one night. Chan For wants to stop his daughter from making this deal, so he agrees to work for Cheung again. The next day he carries out a robbery and is caught. Ah Lan and Chung-man visit him in jail, and hold their wedding ceremony in front of him. He looks forward to the days when he returns.
The back staircase is used for the building owned by Omar, some residents. His son, Sami, a failed high school student, uses the stairs for his late return. A band uses a band to occupy one of the apartments, and they avoid meeting the doorman who demands a fee. The worker Nousa visits them through the back stairs, as she likes to dance and sing, then join the band.
Rami, Hani, Mutasim and Yasir al-Joub, four teenagers who study in a high school, admire Rami's admiration for the coquettish girl and the daughter of their teacher.
A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.
Mr. Vinner gets shot in the back. To ease the pain, he tries to apply a cat skin to the painful area, but the skin is difficult to apply and forces Mr. Vinner into a series of embarrassing situations.
Due to the impact of the global Coronavirus pandemic, the author of the film comes back to her birthplace after having spent the last 10 years abroad. She goes about her daily routine under lockdown along with her parents: her father teeming with good humour who takes government restrictions with reservations, and her mother who voluntarily locks herself in her room because of fears she could infect other flatmates with the virus she may not even have. Sara Shazli observes city bustle outside the windows and domestic life through the camera lens in her own perspective, treating familiar situations with both tragic and comic distance. Being locked down with her parents helps her in rediscovering family ties and her relationship to home.
Sun-Il (Yoo Son-Il) lost his friend because of an accident. So he left to travel. One year later, he appears in front of friends again, but Sun-Il resembles his dead friend a lot. His friends keep watching him. Their friendship is in critical condition unlike the past. One day, he falls in love. Sun-Il has the happiest and sweetest moment in his life with Ji-Soo (Park Grina), but because of an unexpected incident Sun-Il feels strange with himself.
Anjali meets Arun at a marriage and there is instant attraction between them. Will she choose to be a loyal wife or satisfy her desires by crossing the confines of the marriage?
Because of the decommunization laws, paintings and sculpturesof socialist realism at the National Art Museum of Ukraine aretrapped in complicated political circumstances. Will those works be brought back to the museum after its reconstruction?
A 60-year-old man, still dreaming of paradise, shuts himself away from civilization in the mountains to try living self sufficiently and to see what secrets underlie solitude. Having trouble finding a truly uninhabited place Lalo has to keep dealing with human contact, which confronts his utopia. He begins to question the viability of his undertaking, and then to experience how he really feels when he is finally left alone for a long period of time.
A man wanders aimlessly through Havana, having several surreal encounters.
A Russian army officer is haunted by the memory of a girl he met during the war.
Two rival street gangs from Kowloon go to war over turf and bar girls so as to dominate the area and maximize their takings; however things go from bad to worse as the girls start to get involved in the bloody feud.
A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?
A camera moves back and forth at an increasing pace. Back and forth, back and forth...
The story of the birth of the Hungarian home computer scene back in the '80s behind the Iron Curtain. Smuggled in C64s, cracked games, swappers, diskmags, hacked phone lines to American BBS servers, demoscene, copy parties.